A Quote by Tony Gonzalez
There were guys from different parts of the country, and absolutely I heard, 'Why are you playing football?' You just didn't see a Gonzalez out there or any kind of Latin name.
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Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
We were defined by what we did. What we had to do. I think this is why guys like football, and why they join the army, because as long as you are playing the game or following orders you do not have to figure out who you really are.
We've got a lot of guys in here that are playing for pride and contracts and different things. Now that we are out of the race, guys are playing looser and you can see it in our play.
My real name is Bob Davis, but for some reason, I got the name Jasper while playing football at the local rec when I was nine years old, and it just stuck. Years later, when someone asked 'Jasper who?' I just said 'Carrott' - but I have no idea why I came out with that particular word.
I see friends who are in different genres of music, and they say they're so burnt playing the same stuff every night. That's why you see a country act wanting to go out and play an old classic rock song. But what cracks me up is that they all want to be Jimmy Buffett. I can't figure that out.
We need to start from a presupposition: namely, that there is no 'better' football and no 'worse' kind of football, just different styles and cultures that belong to each country.
People say you should go out at the top but I was enjoying my football so much. Robbie Fowler's exactly the same: he's not playing for money any more, he's playing for enjoyment. Why go out at the top if it's going to make you miserable? I just wanted to play as long as I could.
Take Ernie Els. He plays in every country. You see his name everywhere. He's received in different parts of the world. It's a good experience.
When we were presented with the opportunity to start this group, we were just like, 'Why don't we?' The name stuck. You can also apply it to tons of different things. Why don't we spread positivity? Why don't we love each other?
The Righteous Brothers started out in Orange County, California. It was about the whitest place in the country, but the black marines from the nearby base heard there were two guys singing rhythm and blues, so they came down to hear us. At the end of our songs they'd yell out, 'That's righteous, brother!' and that's how we got our name.
If you see a credit with just my name on it, that means I write absolutely everything: rhythm guitar parts, guitar melodies, vocal melodies... absolutely everything, really.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
My name is indigenous to my country, it is not easy to pronounce, it takes effort to say correctly and I am absolutely in love with the sound of it and its meaning. Also, it's not the kind of name you baby, slip into sweet talk mid sentence, late night phone conversation, whisper into the receiver kind of name, so, of that I am glad.
I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
I remember when I was 6 years old and my brother used to go seek out guys that were 13 to come over and play football against me while he was the 'permanent quarterback.' I didn't know exactly what the age difference was, but I was already playing against older guys.
People always ask, "Why jazz?" and I'm like "Why not?" It's kind of like asking Seurat, "Why so many dots?" I imagine if you asked Bjork, "Why the Tibetan bells?" She'd probably be like "That's just what I heard." It's the same thing. This is just the way I see music.
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