A Quote by Tony Hale
I was telling somebody just the other day, there's technically such a hierarchy in this business. You have film, that's the ideal; then you have TV, and things like web series do not claim as much cred, but the fact is, if the material is solid and I believe and trust in the team that's involved, I don't care what format it is.
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Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
One does not have to get frustrated with getting an opportunity, whether it is film, short film, web series or TV shows... As an entertainer, opportunities have expanded.
I have the final say in the business side of my boxer's career. But as far as me being in the meetings every day, the back and forth of the paperwork and stuff like that, I have got a job to do. I am in the gym every day. The fighting lifestyle is an unforgiving one. You want to keep yourself as focussed and stress - free as possible. I have a team who focus on the more complicated aspects, on the business side of boxing, which I don't need to get myself involved in. I think I am involved in the business as much as I need to be.
I just believe in the movie. I don't care what the book was like. I don't care what the previous film was like or other films were like. I care only about the script I've got.
Remember: TV is a format, film is a format, and books are a format.
As an actor, there is so much more than just acting in the film. A lot of other things like networking and marketing is involved.
Religion is simply an ideal. It is an ideal force that tends to free the human being from material bonds. I do not believe that matter and energy are interchangeable, any more than are the body and soul. There is just so much matter in the universe and it cannot be destroyed. As I see life on this planet, there is no individuality. It may sound ridiculous to say so, but I believe each person is but a wave passing through space, ever-changing from minute to minute as it travels along, finally, some day, just becoming dissolved.
As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.
There is not much money in web series as compared to what I make on TV. And that is a fact. So I would love to make money at a time when I am getting my price.
Teams use trust as currency. If it is in short supply, then the team is poor. If trust abounds, the members of the team have purchase power with each other to access each others’ gifts, talents, energy, creativity, and love. The development of trust then becomes a significant leadership strategy. Trust creates the load limits on the relationship bridges among team members
I am not going to approve the home-screening format for my film just carte blanche in lieu of a theatrical screening when I cannot trust that it will ever be seen in the format that it's intended to be.
I am drawn towards this new format of web series.
People believe, thought Shadow. It's what people do. They believe, and then they do not take responsibility for their beliefs; they conjure things, and do not trust the conjuration. People populate the darkness; with ghost, with gods, with electrons, with tales. People imagine, and people believe; and it is that rock solid belief, that makes things happen.
I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.
I feel like there's a lot of experience I have from doing TV animation that would be especially useful doing an animated film in terms of some efficiencies of the process that are necessary for TV, just because you have to crank out material every week, that could be applied to film.
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