A Quote by Tony Hale

What I always got excited about with 'Arrested Development' was the element of surprise. — © Tony Hale
What I always got excited about with 'Arrested Development' was the element of surprise.
And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.
I've been in, like, kids' clubs... I've been in the Boom Boom Room in New York, and the kids are going, 'Oh my God, you produced 'Arrested Development?'' They aren't talking about 'A Beautiful Mind' or '24.' It's like the only thing in my whole career was 'Arrested Development,' literally.
I think as an actor you've got to try to preserve some of your mystery so that there's still an element of surprise about where characters come from.
A true leader always keeps an element of surprise up his sleeve, which others cannot grasp but which keeps his public excited and breathless.
I think its one of the great principles. The element of surprise, I mean, you could take a force that's not nearly as strong and with the element of surprise you could wipe out a much more powerful force.
In Russia, writers with serious grievances are arrested, while in America they are merely featured on television talk shows, where all that is arrested is their development.
It's funny, because Arrested Development is tied to Andy Richter in a few different ways. For me personally, after I did Andy Richter, one of the next things I did was a show called Quintuplets for a season for Fox, and this was while Arrested Development was on. I used to go over and hang out on their set.
It's funny, because 'Arrested Development' is tied to Andy Richter in a few different ways. For me personally, after I did Andy Richter, one of the next things I did was a show called 'Quintuplets' for a season for Fox, and this was while 'Arrested Development' was on. I used to go over and hang out on their set.
The biggest challenge [making Pineapple Express] was that we had a comedy budget. We really got excited the more we got into the development of it about blowing stuff up and having shoot outs. That stuff costs money.
I've always believed in the adage that the secret of eternal youth is arrested development.
When I go to the cinema, I'm often frustrated because I can guess exactly what is going to happen about ten minutes into the screening. So, when I'm working on a subject, I'm always looking for the element of surprise.
I always knew I would be successful. So there was no element of surprise.
For me, what is most important is the element of surprise. If I can surprise you with every film of mine, that is exactly what I am trying to do.
This element of surprise or mystery the detective element as it is sometimes rather emptily called is of great importance in a plot.
I got arrested for graffiti. I got arrested - a lot of, like, underage drinking, drunk in public, shoplifting, you know, your various, like, suburban arrests, I guess.
Surprise, surprise! I have a band! I'm really excited that we have a song on the soundtrack of 'American Reunion' for that very reason.
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