A Quote by Tony Harrison

I'm hoping to have a ninth decade like Matisse's. — © Tony Harrison
I'm hoping to have a ninth decade like Matisse's.
You cannot deny your origins: I love Kirchner more than Matisse, although Matisse was a greater artist. That isn't to do with nationality. It's a stronger feeling.
Matisse draws what I call the essence of the plants. He leaves a shape open. He'll do a leaf and not close it. Everybody used to say, oh, I got it all from Matisse, and I said, 'Not really.'
As I look at the barn in my ninth decade, I see the no-smoking sign, rusted and tilting on the unpainted gray clapboard. My grandfather, born in 1875, milked his cattle there a century ago.
If the past decade was the decade of searching and finding and looking for stuff, this coming decade is going to be the decade of filtering and going to your friends for recommendations.
In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
The last decade has been a little rough, so I'm hoping to start this one on the right foot.
Art comes from art: I remember going to the Matisse show and seeing how Matisse had taken one of his own paintings, worked from it and transformed it, and that had led on to the next one and the next.
The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
I'd like to have a decade of my life back. I dropped into a void for almost a decade.
To my ninth decade I have totter'd on, And no soft arm bends now my steps to steady; She, who once led me where she would, is gone, So when he calls me, Death shall find me ready.
I live a very international life, but when I come back to Hollywood, a town I love in a lot of ways, I have to wonder, "What decade are you in? Like, seriously, what decade? It's not this one."
I'd like to write the way Matisse paints.
The whole period of the '60s changed a lot of us; there was never a decade like that in American history... to have the decade capture one of the great accomplishments of this century: man landing on the moon.
The names of common flowers change from decade to decade, so I spent a lot of time with old outdated dictionaries, with awful flower names like 'mouse-eared chickweed.'
I am sorry I didn’t tell you the truth before. I was hoping I wouldn’t have to. You kept asking about Romeo and what he was really like. I was hoping that”—he smiled wistfully—“you would recognize me.
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