A Quote by Tony Harrison

The first thing you see in my hallway is a large 18th-century bust of Milton, who stares at me as I watch TV and reminds me of the grave and committed role of the poet. Although he was blind, Milton had one of the most unswerving gazes of all English poets.
There are no mute, inglorious Miltons, save in the hallucinations of poets. The one sound test of a Milton is that he functions as a Milton.
Right when I started in show... Milton Berle was my first idol. When I was a kid, I went to see Milton at Lowe's State, and I never laughed so much, and I said, 'That's who I want to be; that's what I want to be.'
My landlady, who is only a tailor's widow, reads her Milton; and tells me, that her late husband first fell in love with her on this very account: because she read Milton with such proper emphasis.
Everything reminds Milton of the money supply. Well, everything reminds me of sex, but I keep it out of the paper.
No language can fitly express the meanness, the baseness, the brutality, with which the world has ever treated its victims of one age and boasts of the next. Dante is worshipped at that grave to which he was hurried by persecution. Milton, in his own day, was "Mr. Milton, the blind adder, that spit his venom on the king's person"; and soon after, "the mighty orb of song." These absurd transitions from hatred to apotheosis, this recognition just at the moment when it becomes a mockery, saddens all intellectual history.
I remember tap-dancing and singing in front of the TV when I was a kid, telling my dad to stop watching Ed Sullivan or Milton Berle and watch me.
Formerly Milton's Paradise Lost had been my chief favourite, and in my excursions during the voyage of the Beagle, when I could take only a single small volume, I always chose Milton.
A good rapper is an amazing thing to me. It's like a 17th-, 18th-century poet.
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
Milton took vaudeville, which, if you look up 'vaudeville' in the dictionary, right alongside of it, it says 'Milton Berle' - and he made it just a tremendous party.
Poetry is what Milton saw when he went blind.
Oh, I have feelings for him, all right. I'd like to put him in the ground myself, believe me. Still, it would be wrong. Promise me." "Fine. I promise I won't kill him." He said it too easily. My eyes narrowed. "Promise me right here and now that you will also never cripple, maim, dismember, blind, torture, bleed, or otherwise inflict any injury to Danny Milton. Or otherwise stand by while someone else does as you watch." "Blimey, that's not fair!" he protested
The real reason Milton went blind was to avoid reading unsolicited manuscripts.
It would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, as portrayed by Milton.
Of the authors writing in English, I'd mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I'm afraid; however, I just happen to like these enormous, swinging, great creatures.
Whatever role the structure of the Internet plays in radicalization, the root causes are still primarily sociological and political, and they will perdure and manifest themselves somewhere, somehow, no matter what YouTube suggests for your next video when you watch a Milton Friedman lecture.
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