A Quote by Tony Harrison

For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect.
Irony is the form of paradox. Paradox is what is good and great at the same time.
You are not supposed to get it. It's a paradox. All of mathematics is built on paradoxes. That's the biggest paradox of all-all this orderliness, and at the heart, impossibility. Contradiction. Heaven built on the foundations of hell.
The word 'paradox' has always had a kind of magic for me, and I think my pictures have a paradoxical quality, a paradox of chaos and order in one.
Kant is not saying - about freedom or any other subject - anything of the form: "Not-p but we must assume that p." That's close to self-contradictory, like Moore's paradox: "p, but I don't believe that p".
Even in pure mathematics they can't remove all paradox, and the rest of us should also recognize we are going to have to endure a lot of paradox, like it or not.
The 'I' casts off the illusion of the 'I' and yet remains 'I'. Such is the paradox of Self-realization. The Realized do not see any paradox in it. Consider the case of the worshipper. He approaches God and prays to be absorbed in Him. He then surrenders himself in faith and by concentration. And what remains afterwards? In the place of the original 'I', self-surrender leaves a residuum of God in which the 'I' is lost. That is the highest form of devotion or surrender and the peak of detachment.
When a paradox is widely believed, it is no longer recognized as a paradox.
My literature is much more the result of a paradox than that of an implacable logic, typical of police novels. The paradox is the tension that exists in my soul.
One must not think slightingly of the paradoxical…for the paradox is the source of the thinker’s passion, and the thinker without a paradox is like a lover without feeling: a paltry mediocrity.
A genius may perhaps be a century ahead of his age and hence stands there as a paradox, but in the end, the race will assimilate what was once a paradox, so it is no longer paradoxical.
When Pico [Iyer] talks about home being a place of isolation, I think he's right. But it's the paradox. I think that's why I so love Great Salt Lake. Every day when I look out at that lake, I think, "Ah, paradox" - a body of water than no one can drink. It's the liquid lie of the desert. But I think we have those paradoxes within us and certainly the whole idea of home is windswept with paradox.
And remember: Everything in business is a paradox. To be excellent, you have to be consistent. When you're consistent, you're vulnerable to attack. Yes, it's a paradox. Now deal with it!
It is all, as usual, paradox. I have to use what intellect I have in order to write books, but I write the kind of books I do in order that I may try to set down glimpses of things that are on the other side of the intellect. We do not go around and discard the intellect, but we must go through and beyond it.
A paradox is a seeming contradiction, always demanding a change on the side of the observer. If we look at almost all things honestly we see everything has a character of paradox to it. Everything, including ourselves.
I am interested in the paradox between identity and uniformity, in the power and vulnerability of each individual and each group. It is in this paradox that I try to visualize by concentrating on poses, attitudes, gestures, and gazes.
We are caught up in a paradox, one which might be called the paradox of conceptualization. The proper concepts are needed to formulate a good theory, but we need a good theory to arrive at the proper concepts.
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