A Quote by Tony Horton

The hammer doesn't build the house. — © Tony Horton
The hammer doesn't build the house.

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Technology is basically neutral. It's kind of like a hammer. The hammer doesn't care whether you use it to build a house, or whether a torturer uses it to crush somebody's skull.
Technology is usually fairly neutral. It’s like a hammer, which can be used to build a house or to destroy someone’s home. The hammer doesn’t care. It is almost always up to us to determine whether the technology is good or bad.
Personally, I think government is a tool, like a hammer. You can use a hammer to build or you can use a hammer to destroy; there is nothing intrinsically good or evil about the hammer itself. It is the purposes to which it is put and the skill with which it is used that determine whether the hammer's work is good or bad.
The song 'If I Had a Hammer' is geared toward people who don't have a hammer. Maybe before I had a hammer I thought I'd hammer in the morning and hammer in the evening. But once you get a hammer, you find you don't really hammer as much as you thought you would.
The art of storytelling is in development, not fact sheets. There are posts you have to hammer into the ground from the start just to get going, but if they don't hold up the house you build, you can change them or take them out.
What you need to do is build the house you will live in. You build that house by laying a solid foundation: by building physical, emotional, mental, and spiritual health.
I love the theater. I love the rehearsals. That's where you build a performance. That's your foundation. If you're gonna build a house, you start with the foundation. That makes the house strong. That's the way I build a character, from the foundation out.
The actual sight of a first-class house that a Negro has built is ten times more potent than pages of discussion about a house that he ought to build, or perhaps could build.
I was very lucky to be offered a lovely piece of property to build a career on. I started building a house on it, but it wasn't necessarily a house I would want to live in. So I ripped down that house, and I worked with these great lumberjacks to build a really cool cabin-a place I want to drink whiskey in and hang out until the sun rises.
It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail.
I liked the idea of architectural games - you're always building and rebuilding. And I still thought of myself in opposition. I thought, If architects build a dream house, then I want to build a bad-dream house. My piece was called Bad Dream House.
I bought some land in Portugal, on the highest hill in Guimaraes, because I pictured that I wanted to build my house there. I said, 'What a perfect place this would be,' but I forgot to ask the council if I could build a house there. When I did, they said, 'No!'
Of course, in order to build something new, one has to economize, accumulate means, temporarily limit one's requirements, borrow from others. If you want to build a new house, you save money temporarily and limit your requirements, otherwise you might not build your house.
When I left the work world, I started designing my dream house. I dived into architecture and bought seven vacant lots. My plan was to build one house, move in, and build the next. If the next was better, I'd move in and sell the previous one - so on and so forth.
To build your house on the rock is to hear what Jesus says and obey. To be foolish and build your house on the sand is to hear and ignore.
If you put someone in a room with no script to direct, they're just going to sit there. Writing scripts is the execution for a show. Then the director takes that and hires people. It's like trying to build a house without any bricks. You need the script. I could build the house, but I have to know how.
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