A Quote by Tony Iommi
The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
Related Quotes
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
As you get older as a comedian and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.
As you get older, as a comedian, and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.
That's why I love doing live theater more than anything: You get an immediate reaction, whether it's good or bad.
It is a feel-good factor when you get an instant reaction from the audience.
You're playing the songs for the audience and they still think they're good songs. So I tend to get excited by that, audience reaction.
For instance, when I go to the premiere on Tuesday I probably won't watch the film at all - I'll be watching the audience just to see their reaction to different moments, what I'm doing right and what I'm doing wrong, stuff like that.
When you are doing comedy, you need to get the right reaction from your partner.
There isn't quite a feeling you get from playing video games that you get when you're playing sports, which is like a sense of euphoria. You just get the satisfaction of doing something active and feeling good after.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
The moment you begin to depend on audience reaction, you're doing the wrong thing. You're doin' it wrong, it's a mistake, it's not right. You can't allow yourself, no matter what, to depend on them.
It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'
Even though sometimes you don't get the minutes you want to, you've just got to continue to work hard and know that if you keep playing hard and doing the right things, then eventually things will turn your way.
The WWE is based on, I think, reaction. You know, if you can't get a reaction, that means you can't put butts in the seats.
You start to find a rhythm and usually if it makes me laugh or comment in the editing room then I knew that's what's going to happen in the audience. That first reaction is usually the right reaction.
Depend on it, that from every condition of distress or evil there is a great reaction, and the greater the evil or distress, the greater the reaction. If we do not get a reaction quick, we will get it long when it does come.
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