A Quote by Tony Iommi
My early influences were the Shadows, who were an English instrumental band. They basically got me into playing and later on I got into blues and jazz players. I liked Clapton when he was with John Mayall. I really liked that period.
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Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.
My primary influences were the best jazz players from the 50's and 60's and later some of the pop people from the same time period along with the better of the well-known blues musicians.
My primary influences were the best jazz players from the 50's and 60's and later some of the pop people from the same time period along with the better of the well known blues musicians.
The Moody Blues was very big in France, because they liked that we were basically playing blues.
I listened to all those blues records. They were great - Clapton, John Mayall. Then eventually I heard Genesis with Peter Gabriel, and I didn't really understand the difference then, but something struck me about the inversions and the diminished chords... they weren't as bluesy, and I loved it. I found out, that was very baroque-influenced.
You don't have to play the blues to play rock 'n' roll, but that's where, somewhere along the line, your influences came from. I mean, I don't care where you got it from. If you got it from Eric Clapton, he got it from the blues.
I got into music when I was a little boy. My dad was always into jazz. I got my education from him. The first time I listened to jazz, he gave me a Thelonious Monk record. It was so different from anything I had ever heard. It took me a while to understand it, and I liked that. I liked the fact that it wasn't immediately palatable.
Lonnie Donegan and the folk movement were responsible for a lot of the spread of the blues in England. The group Them with Van Morrison was a big influence on me, too, as were The Stones; The Yardbirds, John Mayall, and the other British blues pioneers.
I liked acting early on, and I really liked roles that were meaningful to me, and 'Baywatch' was.
I never liked blues and I really didn't like jazz. I liked Chuck Berry.
I never liked blues music, and I really didn't like jazz. I liked Chuck Berry.
The Moody Blues were a blues band, so when we got discovered, we were taken to London. That's where we started to make it. That's where the record labels were. That's where the action was.
Just from the beginning, I really liked playing around with tape recorders. And then, when I got into punk rock, I only really liked - the rawer it was, the more I was into it.
I always liked jazz. And my people liked the old blues, race records and the doo-wop and all that.
I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.
I liked just being with you. I liked the way you breathed when you were asleep. I liked when you took the champagne glass from my hand. I liked how your fingers were always too long for your gloves.
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