A Quote by Tony Jarrett
If Diane Modahl was 40 times over the testosterone limit she'd have a deep voice and we'd all be calling her Barry White.
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I was so honored when Diane Sawyer named me "Person of the Week," and like I told her, "Diane, I love my daughter." I cried when I found out when she told me she was gay when she was 17 because of the judgment.
I was so honored when Diane Sawyer named me 'Person of the Week,' and like I told her, 'Diane, I love my daughter.' I cried when I found out when she told me she was gay when she was 17 because of the judgment.
Ella knows her way around her voice as very few people today. But there are times when she seems to be unaware there are things the human voice just doesn't do. She does them.
For hours she danced and sang and flirted and did this thing that's-she did Marilyn Monroe. And then there was the inevitable drop. And when the night was over and the white wine was over and the dancing was over, she sat in the corner like a child, with everything gone. I saw her sitting quietly without expression on her face, and I walked towards her but I wouldn't photograph her without her knowledge of it. And as I came with the camera, I saw that she was not saying no.
Fundamentally a good author has his or her own sense of style. There is a natural, deep voice, and that voice is present from the first draft of a manuscript. When he or she elaborates on the initial manuscript, it continues to strengthen and simplify that natural, deep voice.
And if that child should ever get the chance to travel the world and someone should ask her where is she from, we believe that she should always be able to hold her head high with pride in her voice when she answers, "I am an American." That is the course we seek. That is the change we are calling for.
I sent my daughter 40 roses last November because I thought she was 40. And she laughed her head off. She is not going to be 40 until this year!
Listening to the music while stretching her body close to its limit, she was able to attain a mysterious calm. She was simultaneously the torturer and the tortured, the forcer and the forced. This sense of inner-directed self-sufficiency was what she wanted most of all. It gave her deep solace.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
Oh, Diane Nash deserves her own film. Diane Nash is a freedom fighter who is still alive and kicking. She was one of the leaders of the desegregation of Nashville, basically. She was a student at Fisk University who was one of the founding members of SNCC, the Student Nonviolent Coordinating Committee.
I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.
Look at this Judith Miller thing. Isn't that problematic? Like, she's getting fed information from the White House and she's feeding it to her editors and then it's in the Times and then the people at the White House can quote themselves? And it's the New York Times!
Sharp knives seemed to cut her delicate feet, yet she hardly felt them, so deep was the pain in her heart. She could not forget that this was the last night she would ever see the one for whom she had left her home and family, had given up her beautiful voice, and had day by day endured unending torment, of which he knew nothing at all. An eternal night awaited her.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
I'll never forget my interview with Barry Humphries - one of the oddest I've ever done. He insisted that for half the time he appeared as Dame Edna. So I interviewed the real Barry Humphries in a suit and tie, and then I interviewed Edna in full fig in her dressing room, where she criticised Barry mercilessly.
The one radio voice that I listened to above others belonged to Ella Fitzgerald. There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.
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