A Quote by Tony Juniper
Martin's Monsanto poem holds devastating power. I heard the first public reading at the Resurgence Festival of well-being in London. It brought truth with clarity, not least with a kind of conviction and passion that is all too rare
Related Quotes
The first poem in The Beauty holds a woman in Portugal in a wheelchair singing, with great power, a fado. I have never seen this or heard of it, the image simply arrived. But surely such a thing has happened. And it matters to me that it has, or could.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.
Too many times I've heard records from bands who were obviously, like, 'Well, we're at least gonna do half as well as we did on our last record. At least we can count on that.' You really have to keep that initial hunger that made some of your first best songs your first best songs. You have to keep that fire in the belly.
I just think that the world of workshops - I've written a poem that is a parody of workshop talk, I've written a poem that is a kind of parody of a garrulous poet at a poetry reading who spends an inordinate amount of time explaining the poem before reading it, I've written a number of satirical poems about other poets.
Every poem holds the unspeakable inside it. The unsayable... The thing that you can't really say because it's too complicated. It's too complex for us. Every poem has that silence deep in the center of it.
Clarity of mind means clarity of passion, too.
The first time I heard the Mars Volta, I had a feeling I was experiencing something that people must have felt when they first heard Led Zeppelin. They have the same kind of power.
The truth comes to rule, not through violence, but rather through its own power; [this is the central theme of John's Gospel:] When brought before Pilate, Jesus professes that He Himself is The Truth and the witness to the truth. He does not defend the truth with legions but rather makes it visible through His Passion and thereby also implements it.
Sometimes during solitude I hear truth spoken with clarity and freshness; uncolored and untranslated it speaks from within myself in a language original but inarticulate, heard only with the soul, and I realize I brought it with me, was never taught it nor can I efficiently teach it to another.
The art of not reading is a very important one. It consists in not taking an interest in whatever may be engaging the attention of the general public at any particular time. When some political or ecclesiastical pamphlet, or novel, or poem is making a great commotion, you should remember that he who writes for fools always finds a large public. A precondition for reading good books is not reading bad ones: for life is short.
Jefferson, though the secret vote was still unknown at the time had at least a foreboding of how dangerous it might be to allow the people to share a public power without providing them at the same time with more public space than the ballot box and with more opportunity to make their voices heard in public than on election day. What he perceived to be the mortal danger to the republic was that the Constitution had given all power to the citizens, without giving them the opportunity of being citizens and of acting as citizens.
Poetry is perhaps the oldest art form. We can go back to an age-old idea of naming things, the Adamic impulse - to give something a name has always been an immensely powerful thing. To name something is to own it, to capture it. A poem is still a kind of spell, an incantation. Historically, a poem also invoked: it was a blessing, or a curse, or a charm. It had a motile power, was able to summon something into being. A poem is a special kind of speech-act. In a good poem there's the trance-like effect of language in its most concentrated, naked form.
There's a remarkable power about reading together, reading collectively, that's brought out by reading groups.
Public virtue cannot exist in a nation without private, and public virtue is the only foundation of republics. There must be a positive passion for the public good, the public interest, honour, power and glory, established in the minds of the people, or there can be no republican government, nor any real liberty: and this public passion must be superiour to all private passions.
Writing a poem is a lesson in the truest empathy. And to truly have empathy is to truly know power, or at least the only kind of power I’m interested in.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer