I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
For me, I just want to sing about life. And since I come from a spiritual background, I turned to jazz, because I feel it's still sacred, like gospel. It's serious music, but it allows room to sing about so much other stuff as well.
Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
Only a handful of people are honest when they sing. A lot of people sing about very vague things, or they'll sing about someone breaking up with them, but a lot of people don't go too deep into their past and stuff, because they don't want it to be let out. I just do it anyway.
The Chinese have a theory that you pass through boredom into fascination and I think it's true. I would never choose a subject for what it means to me or what I think about it. You've just got to choose a subject - and what you feel about it, what it means, begins to unfold if you just plain choose a subject and do it enough.
You can't just sing the song and live another life, you know. It's really difficult now because that's not what it's about. It's pop and pop just says that we could be actors. We could sing about stuff and not believe in it. It could be absolutely fraudulent and it doesn't really matter.
I don't know what happened. I just exploded. I'd never sung like that before. I used to stand still and sing simple, but you can't sing like that in front of a rock band. You have to sing loud and move wild with all that in back of you. Now, I don't know how to perform any other way.
If you sing beautifully about nothing, no one will listen. If you sing badly about great stuff, no one will listen. Ideas are everywhere, but my theory is that a writer doesn't just think of an idea: they perform them.
It was weird. I joined this band because my life was all about singing. Then Girls Aloud became successful, and suddenly it wasn't just about being able to sing any more. It turned into a beauty contest.
Japanese people are not known for expressing their feelings through singing and dancing, but I like to sing a lot. I don't just sing to myself in the shower. I sing everywhere.
You can't sing about the same things as you did when you were 20; it would be ridiculous to sing about, I don't know, being in the quad. You can't really write about mortgage payments or stuff like that... but you can talk about 'let's make the world a better place.'
Nobody in the scientific or medical world thinks that homosexuality is something that people choose. It's something we are. Now, I didn't choose to be heterosexual. I just woke up when I was about twelve years old and girls didn't look obnoxious to me any longer, but I didn't make a choice about the matter. I just responded to my own hormones.
Some people can sing, and they can sing sing, but Brandy can not only sing sing, but she has a voice and a tone that is unlike any other.
When I sing, I go somewhere else. Every time after I sing, I'll ask, 'Did I do OK?' Because I feel like it's like my soul squeezing out of my vocal chords. I don't sit there and think about 'I'm gonna do this next...' I just sing. I sing from my heart, and my heart's got a little lonesome in it.
I like to sing and it's just really fun to sing, and I don't get too much. And at my house I'm not allowed to because, you know, your children can't stand it when you sing at home.
The things we sing about are timeless. Political affairs and social situations come and go. But if you're singing about empowerment and not playing by the rules, you can sing about them until you can't sing anymore.