A Quote by Tony Leung Chiu-Wai
Ang Lee is very precise. He will show you everything, and will let you know what he is thinking about the whole project. There are a lot of rehearsals before shooting, and you already reach a certain standard. Then he will ask for more.
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We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.
That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.
When a builder builds he clears the ground for his new foundations. Then he sees that the basic structure will support the whole. Should we not also clear the mind - at least that part of it that we can reach - of the ruins of past thinking, before building our palace of dharma which will one day reach the sky.
Don't keep forever on the public road, going only where others have gone. Leave the beaten track occasionally and dive into the woods. You will be certain to find something you have never seen before. Of course it will be a little thing, but do not ignore it. One discovery will lead to another, and before you know it, you will have something worth thinking about to occupy your mind, and really big discoveries are the result of thought.
Good overtaking is important to me. There are a lot of quick maths involved. I will prepare from the corner before, thinking, 'If I exit this way, and the driver ahead of me is in a certain position, then I'll go for it.' If he is not where I hope he will be, then I won't pull the trigger. If he is, my decision has already been made.
There are some filmmakers like the Coen brothers that are very precise. They make shooting boards, they do it shot by shot, and they follow every single line in their own script. They make amazing movies, and I admire them so much, but I can't do that. I have no idea how the movie will exactly be. While shooting, I just try to create an accident that I don't control very well - grabbing things from different sources and ideas, and then having a sensation somewhere that it will make sense.
Your war memories will be with you forever, you'll be asked about them thousands of times after the war is over. People will get their respect for you from that-partly from that, don't get me wrong-but if you can say that you were up front where there was some real shooting going on, then that will mean a whole lot to you in years to come.
On my radio show at night, people will sometimes - conservatives will call and say, 'You know what, I'm really sorry I cast my vote for President Bush.' And we play Brenda Lee and 'I'm Sorry' and ask them to sing along.
I think Ang Lee is a very, very talented director. He used martial arts to talk about love and girl, you know... But Zhang Yimou tried to use martial arts film to talk about Chinese culture, Chinese people. What do they think, what do they want and what do they hope the world will become.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
To be honest, I'm not even thinking about America. If I was to start thinking about the enormity of 'Downton' and the size of the project, then I wouldn't be able to be very truthful to the work. I would start to watch myself too much. I'm not even thinking about it. Who knows what will happen.
When you reach a certain age, you have fulfilled your childhood dream and whatever your first or second adulthood led you to do. Then you're in your third adulthood, the one that leads to the grave, and you ask yourself, "What will I do between now and then?" Instead of thinking in terms of glamour, you start thinking in terms of reform - your contribution to the world.
Easy to keep faith. God is good. Only one mistake he made. Free will, therefore can't intervene unless we ask, but gospels show, when we ask we must believe we will be answered. Then all manner of things will be well.
Ang [Lee] gave us a lot of books about cowboys who had been gay or stories about it and all that stuff. And I just talked to a lot of my friends - who [was] their first, particularly same-sex, first situation. That was fascinating to me - trying to learn what that was in a certain period of time. Certain age. The secrecy involved in it. All those things.
I am a person that is very curious about what is going on in the world and there are a lot of subjects to write about, you meet a lot of interesting people. But one idea will be there and it will show up without any logic. It is a book that has been written in my heart before it is written into sentences.
BruceLee.com will be the beacon of all things Bruce Lee on the Internet. The site will include everything from facts about Bruce Lee to digital content to merchandise. I'll also be writing a blog. My father's fans have been asking for a place to find information and communicate with each other. This site will be a meeting place for our community.
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