A Quote by Tony McCoy
When I was 18, I broke my leg, and my shin came right through - like I had two knees.
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After I broke my leg I had to go back and do one of the remakes of 'The Magnificent Seven' and ended up on a horse that pitched me off and broke my leg again... I rode horses pretty well. I just didn't like doing it.
Shin [Biyajima] rides down with this big ol' Japanese grin and giggle and I'm like what? Two years later, when I started planning the trip, I knew Shin was from the Hakuba area, and I didn't want to come film in Japan without a Japanese rider. Shin had the time and availability, and it worked out perfect.
When you sit in the full lotus position, your left foot is on your right thigh and your right foot is on your left thigh. When we cross our legs like this, even though we have a right leg and a left leg, they become one. The position expresses the oneness of duality: not two and not one. This is the most important teaching: not two, and not one. Our body and mind are not two and not one. If you think your body and mind are two, that is wrong; if you think that they are one, that is also wrong. Our body and mind are both two and one.
I had to teach myself how to walk again. It was crazy. I couldn't even make a muscle in my leg. I felt like no muscles in my leg. I was already skinny. It was like my leg was dead.
I have a scar on my left thigh, kind of almost near my knee. I essentially fell in the 2002 Olympics and when I hit the wall - because of the impact - my right leg kind of came in at like a knife-type angle and stabbed my leg with my own skate blade.
I had really had tendonitis in both Achilles. You can run through it with one leg, but not two.
The moment when I broke my leg, when I realized my leg was broken, I thought my career was over.
I was born a cripple, with two club feet, and mild polio in the left leg. I was in orthopaedic boots right through to my teenage years and, unfortunately, the fashion then was for light shoes. I discovered very quickly that I had a sharp mind and an exceedingly sharp tongue.
It is a grueling position (catching). My knees will tell you that. I've had nine knee surgeries. I've had a couple of broken thumbs, one on each hand. I can look back at it and say it's worth it to be enshrined in Cooperstown. I don't have any pain in my knees right now.
And there stood Basta with his foot already on another dead body, smiling. Why not? He had hit his target, and it was the target he had been aiming for all along: Dustfinger’s heart, his stupid heart. It broke in two as he held Farid in his arms, it simply broke in two, although he had taken such good care of it all these years.
But if I'd flown back, I would probably have lost my leg because of the blood clots. I've got two scars down the side of my leg where they had to cut me open and pull them out.
'Do the Right Thing' has been a big influence on me. I saw it when it first came out in 1989. I was about 18, and it blew me away on many levels - I had never seen anything like it before.
At 49, I find it a little bit difficult to run these days. I've got grade four tears in both Achilles, shin splints, I got no cartilage the toes in my right foot, I've got bone marrow edemas under both knees, I've got one degenerating hip - that's the problem you get.
I'm not someone who's an immigrant who's struggling in that way, but between New York and L.A., I had someone tell me very early on, "If you're going to be broke anywhere, it's better to be broke in L.A. At least the weather is nice." I was like, "You're right." I didn't take them up on that.
I had a stammer through adolescence. Any fun I'd had performing in school plays disappeared and only came back at 18, when the stammer started to go. Then I thought: 'Well, perhaps I can show off now.'
Each soldier was the living image of the others, but there was one who was a bit different. He had only one leg, for he was the last to be cast and the tin had run out. Still, there he stood, just as steadfast on his one leg as the others on their two; and he is the tin soldier we are going to hear about.
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