A Quote by Tony Pulis

I have always been interested in history. — © Tony Pulis
I have always been interested in history.
I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.
I've always been interested in intellectual history and in psychology, and anxiety is obviously something that's been a big part of my life.
I've always been interested in the news, but I've always been interested in what's popular. I've always had a little bit of a populist take on things. Which I know is interesting when you talk about Donald Trump.
I was always pretty interested in my history. Not just the history of the Caribbean, the history of my people, but all walks of life.
I've always been interested in the Vikings - that's, like, part of my own history.
I've always been interested in the Depression as this very dramatic pivotal period in American history.
I don't know really. I've always been interested in the small picture instead of the big one, and I've always been interested in relationship pictures.
I've always been interested in the history of radical feminism - what happened to those women of the 1960s and '70s.
I've always been a history buff. It was one of the few subjects at school that really, really caught me. I think you'll find a lot of actors will be interested in history because it sparks your imagination so much. When you enter a period of history, your imagination just goes wild in creating the world, which is really what acting is.
I'd always been interested in maritime history, especially the great liners. I'd have done a book about the Titanic if it hadn't already been done to death by James Cameron and Celine Dion.
I've always been interested in exploration and the history of exploring the world, but it seems like we've found everything now.
I have always been interested in mythology and history. The more I read, the more I realized that there have always been people at the edges of history that we know very little about. I wanted to use them in a story and bring them back into the public's consciousness. Similarly with mythology: everyone knows some of the Greek or Roman legends, and maybe some of the Egyptian or Norse stories too, but what about the other great mythologies: the Celtic, Chinese, Native American?
Jonathan Meese is not interested in the history of reality. Everything radical and precisely graphic is sustainable. Human ideologies like religions and politics are based on the past and therefore irrelevant to art. Art always transforms radicalism of the past into the future. Art is always the total time machine. Jonathan Meese is interested in the history of the future. Art is never nostalgic.
I've always been interested in foreign relations. It's my belief that study of history should be our preparation for understanding the present rather than an escape from it.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
I've always been interested in the history of the West, our country and particularly as it relates to the Native Americans - the original Americans.
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