A Quote by Tony Revolori

I would love to work with Derek Cianfrance. Why not? You've always got to aim big! — © Tony Revolori
I would love to work with Derek Cianfrance. Why not? You've always got to aim big!
'Blue Valentine,' Derek Cianfrance's emotional gunslinger of a film, tears into the topic of moribund marriages with an honesty that's hard to come by in Hollywood these days.
That's why I make mixtapes. That's why I work with Don Cannon; that's why i work with Big Sean. Even though I don't rap, I got love and acceptance in that community, and that's something that I really take seriously and hold close to my heart.
I get so sick of people asking: "What's your demographic?" Or: "Oh we've got to aim this at..." No, you have to aim it at you. You do the thing you would love... make the thing you would love and be proud of. There's enough people in the world that, if you do that and do it well as a single vision, they'll go: "That's my favourite thing ever!"
This is the good thing about commercials, is one week I'm working with Derek Cianfrance and the next week I'm working with another really good friend.
Derek? Derek!-Chole Chole! what are you doing out here? i said we will check it out later. key word WE-Derek oh, yeah I decided to come out on my own. thats why i was calling your name repeatively- Chole
Where's Simon?"..."Is he okay? Why isn't he here?" She glared at Derek. "Where'd you leave him?" Passed out in an alley." Derek frowned in thought. "Not sure where, though.
In my day I think the toughest was Derek Harper. The old-school Derek Harper. He was tough. He had the most toughest, nastiest game ever. I hated playing against him because he would always try to rip you, and try to talk to you. People just didn't really know that about Derek Harper. I used to hate bringing the ball up against him, really.
I would love to work with Anthony Hopkins; I would love to work with Meryl Streep; I would love to work with DeNiro; I would love to work with Johnny Depp; I'd love to work with Brad Pitt, Matt Damon, Gwyneth Paltrow... I think she's amazing.
Acting is always more fun for me.I love being a part of a story, I love collaborating, I love working with different directors. If I just directed more and more, it would lessen the opportunity to work with all these big directors that I've had the opportunity to work with.
I've always loved fashion and, of course, enjoyed my experiences walking on runways, but I love watching the shows as well! Now I understand more why it's such a big deal for the industry and why people work so hard before and during fashion weeks. It's interesting to see the same things from a different angle.
I would love to go into musicals. I got a chance to sing in 'Big Momma's House,' and that's something I would love to do more. But only in Broadway or in the movies. I don't think I would ever seek a career as a singer.
I had a dream of music and art and the big city in which I would get lost, where no one would know me and I wouldn't know anyone, where I would work at some ordinary job, and if one day I got up in the morning and decided I wasn't going to go to work anymore, no one would ask questions.
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?'
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?
It's such hard work doing a musical. I did my first musical last year, performing in The Producers, and it was a big part to suddenly be doing Leo Bloom in that. It's such hard work. It's a proper slog. It became like clocking in. And it's a big factory - you go in, everyone's got their little plot, people are taking in and out of it if they have days off or holidays, and it's just a jigsaw that all works. It always amazes me that this product would happen every night and it was just all these elements coming together in a big machine.
Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.
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