A Quote by Tony Robbins

Most individuals work much harder to hang on to what they have than to take the necessary risk to shoot for their dreams. — © Tony Robbins
Most individuals work much harder to hang on to what they have than to take the necessary risk to shoot for their dreams.
Weigh risk carefully, and once you decide a risk is manageable and necessary in the pursuit of your dreams, take it.
The people at the top don't work just harder or even much harder than everyone else. They work much, much harder.
Once a musician has enough ability to get into a top music school, the thing that distinguishes one performer from another is how hard he or she works. That's it. And what's more, the people at the very top don't work just harder or even much harder than everyone else. They work much, much harder.
An effective found footage movie is much harder to make than an effective traditionally shot movie. A crappy one is much easier to make because you take your camera, and you shoot the scene, and you're done. But to make it effective, they're actually much trickier.
Like most Africans, I had to work much harder and show much deeper belief than others.
I've always been the underdog, and I've always had to work much harder than the next person just to get a look. But I feel like that's Black people as a whole, to be honest with you. We have to do so much more and work so much harder to get certain kinds of looks within this industry.
The truth is, successful people are not ten times smarter than you. They don't really work ten times harder than you. So why are they successful? Because their dreams are so much bigger than yours!
Most restaurant people work much harder physically, on a daily basis, than most entertainers. Though most people in entertainment complain more.
Everything is harder when you are a Nordestino. You have to work harder than anybody else because people will be judging you with much less mercy than the other players.
It's so much harder to recreate something than it is to shoot at the actual place. It's not without its problems. You've got a lot of bystanders and security issues, but it's always a lot easier and a lot more fun to shoot at the actual location.
When so many lives are at risk, when so much killing is going on, when there's so much chaos and suffering, isn't the risk warranted? ... And if we don't take the risk of coming to the conference, what do we do? We let it continue?
For a photographer, it's a necessity that you can shoot stuff magically. Accidents are necessary, but after I take the photograph, it's not over. I work on it more.
At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.
I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.
The only thing poverty does is grind down your nerve endings to a point that you can work harder and stoop lower than most people are willing to. It chips away a person's dreams to the point that the hopelessness shows through, and the dreamer accepts that hard work and borrowed houses are all this life will ever be.
It’s one thing to be the greatest; it’s another thing to be necessary. The best are the most necessary: those who take less than they give and love more than they hate.
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