A Quote by Tony Robinson

The great countercultural movement that we all know from the mid-1960s was epitomised by popular music. But within a few years another shift happened: the birth of alternative theatre.
I have always felt that the rise of what became known as alternative comedy was born out of the loins of the alternative theatre movement.
I was on a founding members of the Canadian theatre movement in the late 60's till the mid 70's and performed theatre from Halifax to Vancouver and all places in between.
Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
For two generations up through the mid-1980s, many thought we were losing the Cold War, even in early 1989, few believed that Poland`s solidarity movement could win, that the Iron Curtain would come down, that the Baltic states could be free, that the second of the 20th century`s great evils, communism, could be vanquished without war, but it happened and the West`s great institutions, NATO and the E.U., grew to embrace 100 million liberated Europeans.
There wasn't anyone in my family who was involved in the theatre. I saw a few amateur plays when I was growing up, but I can't think of anything that happened or anybody in particular who inspired me; it all came from within.
I'm a big Philip Roth fan. I think "American Pastoral" is the great American novel of the past 30 to 40 years. It's a novel about what happened in the 1960s, and I think America is still dealing with what happened then. It's devastatingly sad.
Hillary Clinton, [Democrats] say, leads the popular vote by two million, and a shift of a few votes in a few states would have won the election.
I think it is a must for young people and generations yet to come, to understand, to feel, to touch, to almost smell the drama of what happened a few short years ago [the civil rights movement of the 1950s and 1960s]. So maybe, just maybe, we will never ever repeat this unbelievable time in our history. We have to tell it all, and make it plain, and make it clear, so people will never ever forget the distance we have come, and the progress we have yet to make.
I did play with Dr. Strangely Strange a couple of years ago - that difficult third album, 'Alternative Medicine,' 1997. It was great to see them all. They're very special people and they were very good to me in Dublin in the 1960s.
Unemployment determination in a modern economy was the main subject area of my research from the mid-1960s to the end of the 1970s and again from the mid-1980s to the early 1990s.
'Black Watch' has taken its place in the canon of Scottish theatre, and that's fantastic. It's a very particular kind of theatre. It's about the music, the movement, the whole 'event' of it.
Man, for someone like me who had George Jones music imprinted in my DNA before birth, the last few years have been rough as a fan of country music.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
It's great to have a job and then go to another one, and have another one to go to after that. It doesn't always happen; you might be waiting a few months. But I've had some interesting roles, and worked with some great people. And it has been a really interesting mix between theatre television and film.
Over the past 100 years, there have been three major periods of tax-rate cuts in the U.S.: the Harding-Coolidge cuts of the mid-1920s; the Kennedy cuts of the mid-1960s; and the Reagan cuts of the early 1980s. Each of these periods of tax cuts was remarkably successful as measured by virtually any public policy metric.
There's been a shift: Country music is popular music now. Every other genre wants to come over to our land.
This site uses cookies to ensure you get the best experience. More info...
Got it!