A Quote by Tony Shafrazi
I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.
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I don't think it's an artist's responsibility to be political all the time. I think your first responsibility as an artist is to make music that people will listen to and enjoy. However, I think that when you are able to say something that is moving and put it in a great song, then that is even better.
I think every artist should follow their vision; their hearts is what they need to reveal, not something that society is looking out for. That said though, I think also artists have, continuously good artists, have been good for their times.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
I believe, as artists, I do think we have a responsibility, and there's also a place for a lot of different artists. It is nice when music captures the honesty of the time but also what we're going through in that moment.
I think the music reflects the state that the society is in. It doesn't suggest the state. I think the poets and musicians and artists are of the age - not only do they lead the age on, but they also reflect that age. [...] Like The Beatles. We came out of Liverpool and we reflected our background and we reflected our thoughts in what we sang, and that's all people are doing.
I think the Bhagavad Gita is about both the forces of light and the forces of darkness that exist within our own self, within our own soul; that our deepest nature is one of ambiguity. We have evolutionary forces there - forces of creativity, and love, and compassion, and understanding. But we also have darkness inside us - the diabolical forces of separation, fear and delusion. And in most of our lives, there is a battle going on within ourselves.
I think I'm really fortunate to be an installation artist who is heavily invested in photography: I don't have the emotional problems with the loss of work that some installation artists have. The photographs wouldn't exist without the installation... but at the same time, I think I'd kill myself if I only did installations. There's something deeply tragic about doing work that you know is temporal.
And, because my role in society - or any artist or poet's role - is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it's like that's the job of the artist in society, not to...they're not some alienated being living on the outskirts of town. It's fine to live on the outskirts of town, but artists must reflect what we all are. … If that's taken it too much on meself, I feel that artists are that - they're reflections of society... Mirrors.
I like Ludacris; I think that he's a complete artist. I think that he makes great records; I think that he is a great lyricist and at the same time I think he knows how to have fun.
I think of mythology as a function of biology; the energies of the body are the energies that move the imagination. These energies are the source, then, of mythological imagery; in a mythological organization of symbols, the conflicts between the different organic impulses within the body are resolved and harmonized. You might say mythology is a formula for the harmonization of the energies of life.
We can accomplish almost anything within our ability if we but think we can! Every great achievement in this world was first carefully thought out. Think-but to a purpose. Think constructively. Think as you read. Think as you listen. Think as you travel and your eyes reveal new situations. Think as you work daily at your desk, or in the field, or while strolling. Think to rise and improve your place in life. There can be no advancement or success without serious thought
I think it's the job of the artist to reflect the times and also reflect his or her views of the world.
Our job as artists is to reflect the ills of society sometimes and to find a truth in that, and I think you can't start the healing process until you recognize the truth and all of its ugly warts and all.
Art movements are always linked to some kind of turmoil. We can look at history and see that [political turmoil is] fertile ground for art. I also think that it gives artists something, a way of kind of processing. My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world. Hard times are really a fire under your ass to prioritize and think, "Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process"?
Not all artists have a responsibility to be socially or politically aware, but they do have a responsibility to make great art. They have to find some truth and put that in their music.
I think now it's the money who tells the artist what to do - it's not the artist who tells the money what to do. And things move very fast, which is hard, because sometimes you need more time to be creative. I guess no one has a loud mouth like I did. They don't dare to scream loudly what they think. But you can't take fashion too seriously. The whole thing is about giving the woman who wears your clothes some power, some fun, some service. It's great to make it as art. But first, it's a service for someone.
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