A Quote by Tony Shafrazi

I think that the whole experience of living, breathing, thinking, and being lost in wonderment is, for me, that of being an artist. And the idea of identifying as someone who is just living and existing and making objects or paintings-somehow I moved away from that years and years ago.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
The fact that I am a writer comes from the experience of being cut away from my roots and living in Venezuela, where I couldn't find a place for myself, for years and years.
I think that New York liberated me in the sense that I moved here when I was 18, so it was a fresh perspective on life. I had been living in L.A. my whole life and I had never lived anywhere else, so being away from family and really making a name for myself was huge for me.
I think this is irresponsible preaching and very dangerous, and especially when it is slanted toward children, I think it's totally irresponsible, because I see nothing biblical that points up to our being in the last days, and I just think it's an outrageous thing to do, and a lot of people are making a living—they've been making a living for 2,000 years—preaching that we're in the last days.
I had the interesting experience of having lived and worked for six years in China with Procter & Gamble, and that just changes, I think, your whole perspective in living overseas and living in a country like China.
I think that the point of being an architect is to help raise the experience of everyday living, even a little. Putting a window where people would really like one. Making sure a shaving mirror in a hotel bathroom is at the right angle. Making bureaucratic buildings that are somehow cheerful.
My father being incarcerated for 25 years, 26 years, so I had a rough past, but me moving to Atlanta, I just thought that changed my whole identity - my thinking.
I feel like you can't really be truthful as an artist and empathize with the human experience, unless you know your truth and you're not living a lie. So I'm learning through it, and it's making me a better person, and it's making me a better artist, I think.
I met my wife in Latvia 17 or 18 years ago, moved over to Norway in 2003 or 2004 and after a couple of years living there, I was able to represent Norway as a snooker player.
Living, breathing, and being present is the practice that can lead us to having a full and authentic in-the-body experience. If we can shift our perspective from being separate to being part of it all, psychological hang-ups, insecurities, fears, and disorders dissolve.
The most optimistic thing that's happened is that as a society we're beginning to recognize that there are many voices. When I began, thirty years ago, the idea of one author or the artist as being a solitary creature was really the only idea that there was.
There are times when I'm super-overwhelmed, and everything feels like it's hitting me in the face at once, but I think what's keeping me calm, and who I am by staying true to myself, is my whole family being so supportive and keeping me grounded. They treat me the exact same way they treated me years and years ago.
I moved to L.A. right after I finished high school, for three years, because everybody was telling me it was important to get down there, and then I kind of just decided for myself that I didn't need to be there to be doing this. I wanted out of some of the chaos that comes with living here and being an actor.
I've had days here and there where I would get discouraged because I wasn't a big star, but I've made a living ever since I was 27. Not a great living, but enough for me. I think actually being able to pay my rent and eat and perform is enough, and I did that for many years. Then I had some good years in there, too, where I made pretty good money.
The whole idea of Captain America was borne of a time 80-something years ago. That was a time of the Second World War, and it was an antifascist idea. You had this idea of it being a soldier-warrior. That was the construct for a hero.
What the artist must render is a living moment somehow, a living moment actually in action or an inward experience.
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