A Quote by Tony Shalhoub
I don't look as handsome in Men in Black II as I did in the first one.
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I don't look as handsome in Men in Black 2 as I did in the first one.
Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
Sulecki was a tough guy. He wasn't taking no for an answer. He came to fight, though, and I did what I had to do, and that's look pretty. Tall, black, handsome.
Uriah looked better than he did an hour ago--he washed the blood from his mouth, and some of the color returned to his face. I'm struck, suddenly, by how handsome he is-- all his features are proportionate, his eyes dark and lively, his skin bronze-brown. And he has probably always been handsome. Only boys who have been handsome from a young age have that arrogance in their smile. Not like Tobias, who is almost shy when he smiles like he is surprised you bothered to look at him from the first place.
'Mustanging' was like trout fishing. It is always the big ones that get away. When you did get a bunch of them into a corral, you found they did not look half so large and handsome as when they were first sighted on the prairie.
For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake.
I find very often that very ugly women have really handsome men and vice versa because they don't have any competition. Sometimes handsome men have avoided me.
They wanted black women to conform to the gender norms set by white society. They wanted to be recognized as 'men,' as patriarchs, by other men, including white men. Yet they could not assume this position if black women were not willing to conform to prevailing sexist gender norms. Many black women who has endured white-supremacist patriarchal domination during slavery did not want to be dominated by black men after manumission.
As you look back in history, we [the United States] have done wonderful things, the Marshal Plan is the most obvious. After World War II, we spent billions of dollars to rebuild Europe or at least part of Europe after the devastation of World War II. We did it out of charity, but we also did it to keep the Russians from getting deeply into Europe.
If we look at 'Black Panther,' it did so well. There were a bunch of supporting black characters in the movies for years and then it took a long time, but finally they did make that.
I did the X-Men, and I plotted the stories, and Roy Thomas dialogued them. And that first set of comic books that I did are the plot that the first X-Men movie was taken from, where Magneto invents a machine that turns regular humans into mutants. That's my idea.
I was a handsome boy, a very handsome young man, bright blue eyes, mmm. I would make trucks skid off the road. Anyway, girls were never a problem; the problem was me. But a lot of guys didn't like me because I made it look so easy, but it wasn't easy for me or anybody. When you're 24, it's not easy. You haven't reached anywhere that you want to be, so my looks helped me get in the movies, and I'm privileged that my parents came up with what I look like. What they did I'll never know and I don't care.
Black men, we're known for getting into some drama with other black men, specifically black-on-black crime. We're used to the confrontational attitude.
The women of Afghanistan, left behind as their men fought, did what the women of World War II did - used their wits and resourcefulness to preserve some semblance of civilization.
Black is overrated. You'll never find it in my stores. Of course it's slimming, but it's just used too much, especially for men. One black suit by one designer, another one by another - they all look the same in the end. If I walk into a crowded hotel lobby and I'm wearing a black suit, I just look like everyone else.
At the same time as woman was becoming the showcase for wealth and caste, while men were slipping into relative anonymity and "handsome is as handsome does," she was emerging as the central emblem of western art.
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