A Quote by Tony Shalhoub
It was really an experience, being my first time directing a movie. The scenes that I was in, Brooke really directed me all the time. And the scenes that both of us were in, Brooke directed those. Come to think of it, Brooke directed most of the scenes.
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I've been in so many funeral scenes from The Sopranos, and I think I've even been in one on Sons of Anarchy. Those scenes, as a human being, are the most tedious scenes, of all time. You're waiting, all day, in the blistering hot heat. So, I didn't need to be there.
I have pretty thick eyebrows, so I'm really grateful to Brooke Shields, the first time around, and now Cara Delevingne for making that such a thing. For those of us who were born that way, it's kind of nice.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
Brooke and I share some similarities. We're both passionate, fiercely loyal people. But she is far more outlandish than I'd ever be, particularly with her body and her sexuality. Brooke has made herself weak for men - she only gained self-confidence from their attention.
Pictures are written, acted, directed, photographed, edited, scored and all that. The screenwriter determines what scenes are in and what scenes are out; decides whether that bit of information is dramatized or just referred to; whether it takes place on or off screen. There are millions of decisions made by the screenwriter.
I still think Brooke Shields is aces. She's really smart, interesting, doesn't feel that her time is more valuable than anyone else's. Really hardworking. And I knew that if she was the star of the show, it's going to be a good experience. And it was.
If you ask me whether I can direct, I can. In fact, I have shot several songs, scenes and stunts. When certain directors of my movies were not able to be there for some reason and had asked me to help out, I have directed. But to helm an entire movie is a different art altogether.
Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
I find that most of my scripts have a lot more scenes than most films, so the average movie might have 100 scenes, my average script has 300 scenes.
Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.
I suppose they call me a womans director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
I suppose they call me a woman's director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
There really aren't any deletes [in The Hanover movie]. There's like one or two deleted scenes but they're not important or meaningful scenes.
When I came to Mumbai, I was working behind the scenes for 10 long years. Back then, music video budgets were insignificant and I had no assistant directors or art directors for most of the songs I directed.
I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.
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