A Quote by Tony Sunshine
I have over 150 or 200 records recorded. We have so many EP's and LP's. It's just picking the best records to put the best possible album together.
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I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
I put together amazing records, whether that's finding the beat or putting the right hook on there, and picking the right artists on the record. That's me being an A&R. And I'm making sure that they give me their best.
I just to put out the best records I can and perform the best I can.
I've sold a lot of records. I've sold, like, 150 million records, and I don't think I've had that many good reviews. It's one of those things that when you're really successful, critics hate you just because you're successful.
The only album that I listen to upon recording a new one is my 'Cry' album, because sonically, I think it's my best album to date. But other than that, I've never listened to my records, ever.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Not only my favorite producers, but those are actually brothers, they're part of our We The Best family. To me, they're the biggest guys out, and the music they produce and the records they put out are phenomenal records.
I see myself as real. Like I mean if I was the President I would have a responsibility, because people put me there. Nobody put me here. They just buy my records. They wouldn't buy my records if my records wasn't good. I'm being who i am in the record.
The 'Frampton' album sold better than all of the other solo records that I'd had, put together. It was over 300,000 copies, so that was a good signal that we were poised for my first gold record.
There are so many great records that when you grow older, you're like, 'Oh man, this is the best record ever made.' And you're like, 'Oh it didn't get nominated or win a Grammy.' It's countless, how many amazing, classic American records haven't been knighted or whatever.
What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
When I think about putting together an album, the process of listening to hundreds of songs each time and picking out the best 10 or so that will go on the record, it really sinks in as to just how many songs I've listened to all these years.
My best album is probably my second one, It's a 'Big Daddy Thing.' I like a lot of the songs on there. It was put together... just the structure of the album was tight.
I make records from top to bottom. Bring the best out of the vocalist. I deal with live instrumentation on all our records.
I have a very long and beautiful love affair with Elvis Presley. I own every record he ever made, so I have about 150, almost 200 records of his. So much that I haven't even listened to all of them. I see an Elvis record that I don't have, and I'll buy it and put it in my collection.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
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