A Quote by Tony Todd
There was a period where I did do a lot of television, but the luck of the draw worked in my favour, as they were all shows that were either fan-favourites or cultist things.
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One of the greatest things about our band is that we bring the American dream to the world. Here's a bunch of kids that were living in nowhere New Jersey, and we made it through a lot of practice and a lot of work and a lot of luck. It shows the world, 'If we did it, you can do it.'
In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.
I cannot recall a period when I did not draw; and at school, the studies that were distasteful to me, mathematics and grammar, were retarded by the indulgence of teachers who were proud of my drawing faculties, and passed over my neglect of uncongenial subjects.
I cannot recall a period when I did not draw; and at school, the studies that were distasteful to me, mathematics and grammar , were retarded by the indulgence of teachers who were proud of my drawing faculties, and passed over my neglect of uncongenial subjects.
You get weird, funny requests on Twitter. With our fan club, I was seeing a lot of fans were having some issue with the way the fan club tickets were being handled in one of the shows. So I was able to correspond with that fan, and be like, 'Listen, we'll be on it.'
I worked so hard for so long - I did a lot of movies. I also worked a lot when my kids were smaller, before they were in school.
When I was growing up in the mid-'50s, the Roaring Twenties were a huge part of the culture. There were a number of films and a bunch of television shows that dealt with the mythology of the underworld from that period.
I did 13-something years of talking to wrestlers and promoters about why they did certain things and why they booked matches a certain way and what they were thinking and whether they were satisfied with the draw. And I got a lot of insight in the business.
I remember the first 'fan expo' we did for 'Killjoys,' we were so new, there wasn't a lot of information out yet. But there were so many fans so excited already. And they were asking really intellectual questions about the show.
When I started, black people were either victims or they were the perpetrators; they were the boogie men who jumped out of the bushes and did terrible things to you.
When I was coming up in the '80s television, if you were on television that meant either you were a young actor just coming up like I was, or you were an older actor whose career was over and you had to go on television.
I worked for George Bush. I'm proud to have worked for him. I think that a lot of the most controversial things we did, that people didn't like and - and criticized us for, things like the terror surveillance program or the enhanced interrogation techniques, were things that allowed us to save lives.
When the Beatles came in, I really concentrated on making a lot of movies. Those beach films that we did were a lot fun. They hit with an audience that related to what we were trying to do on the screen. That kept me going all through that Beatle period.
I had many different assignments and I was doing things that I thought were important... no, I didn't either: I didn't think they were important. But I found out afterwards when I read up on my history that some of the things that I did were quite important.
I traveled and worked with amazing actors, like Andy Garcia, Alec Baldwin, Brendan Fraser, Forest Whitaker, Lee Pace. It was this great learning experience. And then, I started watching a lot of television. I was always in these foreign countries and I would get TV shows on DVD, and I started to realize that all of the amazing roles for women were on television. I was spoiled by Buffy because I thought that was the way it was everywhere, and it's not.
When I first got pregnant, my husband and I were huge consumers of premium cable television, and we were watching all of these shows, and it would either be the B-storyline of a show like 'Homeland,' where she's a working mother, or you have even smaller C-storylines on a show like 'Mad Men.'
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