A Quote by Tony Todd
I've worked with directors who have done it too much, particularly in television, you know, 'okay we got it, let's move on, next setup.' 'Well what about, we could maybe investigate?' 'Mmm... no, let's go.'
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I've worked on other shows where the sense is like, "Well, don't change it too much," you know? But on this one [ Too Much Tuna], Nick [Kroll] and John [Mulaney] - beyond being amazing performers - are also writers, and wanted to keep improving upon the show, particularly the play within a play. I think the writing just got funnier and funnier.
Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
He read a lot. He used a lot of big words. I think maybe part of what got him into trouble was that he did too much thinking. Sometimes he tried too hard to make sense of the world, to figure out why people were bad to each other so often. A couple of times I tried to tell him it was a mistake to get too deep into that kind of stuff, but Alex got stuck on things. He always had to know the absolute right answer before he could go on to the next thing.
I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.
Maybe they'd use biological or chemical weapons instead. Maybe they'd crash the world economy. Maybe they'd turn every program on television into one of those reality shows." "That's mostly done already, Harry." "Oh. Well. I've got to believe that the world is worth saving anyway.
You can't be looking into the past too much about what you could have done; it is about making things right and learning from that experience and taking it into the next game.
The unknown is scary the Unknown can also be exciting. Your life could change in an instant anytime. But sometimes, that change is the best thing that will ever happen to you.Maybe I don’t have to know what my fate is to know that everything will be okay. Maybe the not knowing is how we move forward. Wherever I’m headed, I know it’s exactly where I’m supposed to be.
I think Ive done the best I could have done. But I keep wanting to play better, go further. There are so many sounds I still want to make, so many things I havent yet done. When I was younger I thought maybe Id reached that peak. But Im 86 now, and if I make it through to next month, Ill be 87. And now I know it can never be perfect, it can never be exactly what it should be, so you got to keep going further, getting better.
I had worked for a lot of directors whose work I didn't respect, and as I was editing material, I was thinking about how I would have shot the scenes and what I would have done to make the scenes better. After several years of that, I got to the point that I was pretty confident I could sit in the director's chair.
I could do whatever I liked to do during the day. I didn't have to work in an office. I could work at home. I could work at my leisure. I worked 'til four in the morning. I worked with the TV and radio on - it was a great setup. I was a night person and still am.
Now I'm hot and bothered, and wondering why my new neighbor isn't putting the moves on me." "Maybe he doesn't want to push you too far, too fast and scare you off." Gideon's eyes glittered in the light of the television. "Is that so?" He nuzzled his nose against my temple. "If he has half a brain, he'd know not to let you get away." Oh... "Maybe I should make the first move," I whispered, wrapping my fingers around his wrist. "But what if he thinks I'm too easy?" "He'll be too busy thinking he's damned luck.
If I had grown earlier, maybe I would have stuck with football. Maybe. But I was just too small. I was quick, I could outrun people, but if anyone ever got a hand on me, I was done.
You know the best thing about aeroplanes? Apart from the peanuts in little silver bags, I mean. It's looking out of the windows at the clouds and thinking maybe I could go walking in there. Maybe it's a special place where everything's okay. Sometimes I do go walking in the clouds but it's just cold and wet and empty. But when you look out of a plane it's a special world... and I like it.
I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.'
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