A Quote by Tony Todd
I love film noir, so Billy Wilder is like my favorite director of all time.
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'Sunset Boulevard' by Billy Wilder, it's one of my favorite films. I love all the movies from the 1950s.
Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
This is not a movie about smelling the urine! It's another kind of movie." Volker Schlöndorff got Billy Wilder to agree to these conversations - you can buy it - because Volker spoke German at times. And he said to Billy Wilder: "What is in your mind?" And he said: "If you're going to try to tell the truth to the audience, you'd better be funny or they'll kill you." And I haven't forgotten that.
Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.
The whole film business was built on immigrants: Billy Wilder and Michael Curtiz and all these hefty lads.
'The Producers' is my favorite movie, and my favorite performances of all time are Zero Mostel and Gene Wilder, and I feel like I strive to be a combination of those two guys.
I want to thank three person: I want to thank Billy Wilder. I want to thank Billy Wilder. And I want to thank Billy Wilder.
Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.
There are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
First off, I love Woody Allen. His early movies, like 'Hannah and Her Sisters,' are incredible. I also love anything by Billy Wilder, Ron Howard and John Hughes. I really grew up on the Hughes films, which are the ones I go back and watch all the time, just to see how they were put together.
I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.
I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.
I'm influenced by those '40s, '50s, and '60s films: things like 'The Apartment' - I was a big fan of Billy Wilder.
I love all kinds of stuff. I really am so eclectic in my taste. I love film noir, I love thrillers, and I love big blockbuster popcorn cinema stuff, but I like it when it's twinged with a bit more social consciousness.
These days I love watching Billy Wilder. I'm not saying the arthouse stuff is self-serious, but I needed to get out of my head a little bit and not treat films so seriously.
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