A Quote by Tony Todd

My first assignment was a curtain-puller for 'The Curious Savage.' — © Tony Todd
My first assignment was a curtain-puller for 'The Curious Savage.'
Just beyond the ticket booth Father had painted on a wall in bright red letters the question: DO YOU KNOW WHICH IS THE MOST DANGEROUS ANIMAL IN THE ZOO? An arrow pointed to a small curtain. There were so many eager, curious hands that pulled at the curtain that we had to replace it regularly. Behind it was a mirror.
Our assignment comes with the alignment. Too many people look for the assignment without first finding their alignment.
Nothing is more curious than the almost savage hostility that Humour excites in those who lack it.
I'm always curious to see how a fighter responds after suffering a first loss. I'm especially curious when that first loss is via knockout.
It's always a problem, getting the curtain in at the end of the first act; having enough of a resolve so that you can bring the curtain in and then opening the show a second time is a little bizarre as a tradition. I've always preferred to go straight through.
There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
My assignment is what every writer's assignment is: tell the truth of his own time.
We have to find a way of understanding how one category of sex can be "assigned" from both and another sense of sex can lead us to resist and reject that sex assignment. How do we understand that second sense of sex? It is not the same as the first - it is not an assignment that others give us. But maybe it is an assignment we give ourselves? If so, do we not need a world of others, linguistic practices, social institutions, and political imaginaries in order to move forward to claim precisely those categories we require, and to reject those that work against us?
As a teenager I had never been able to accept the fact of having to go to the back of a bus or sit in the segregated section of a train. The first time I had been seated behind a curtain in a dining car, I felt as if the curtain had been dropped on my selfhood.
A familiar name cannot make a man less strange to me. It may be given to a savage who retains in secret his own wild title earnedin the woods. We have a wild savage in us, and a savage name is perchance somewhere recorded as ours.
If I can assign names as well as pictures to objects, the right assignment of them we may call truth, and the wrong assignment of them falsehood.
I come from the theater, so I like it being: curtain up, this is what we want you to see, we have a reason for showing it to you, and then the curtain comes down, and that's it.
For years I thought my assignment or the Church's assignment was to articulate the Gospel and nothing more. Now I believe that if we don't support the verbal expression of the Gospel with physical demonstration of compassion, we are not imitating Jesus.
Don't denounce our pain as savage. What's savage is the cruel inhumanity and brutality of the police. Condemn that.
[Nabokov's] language is made visible . . . like a veil or transparent curtain. You cannot help seeing the curtain as you peek into the intimate rooms behind.
I would say that the directors that I've liked the most are all curious in nature - curious thinkers. They're all big questioners, I would say, first and foremost.
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