A Quote by Tony Visconti

Today a record producer is even more involved and is often the production's sole musician, one person playing all the instruments one-by-one. — © Tony Visconti
Today a record producer is even more involved and is often the production's sole musician, one person playing all the instruments one-by-one.
Initially it was so important for me to be credited as a producer, play all these instruments and be the sole writer on everything. I think especially as a woman, you want to be taken seriously as a musician, as a producer.
I realized that I wanted to get better in every way. As a person, as a friend, as a songwriter, as a musician, as an artist, record producer, you name it.
Beck is obviously a consummate musician. He plays instruments, many instruments. He can make his own record without having a fleet of computer operators onboard.
Consumption is the sole end and purpose of all production; and the interest of the producer ought to be attended to only so far as it may be necessary for promoting that of the consumer. The maxim is so perfectly self-evident that it would be absurd to attempt to prove it. But in the mercantile system the interest of the consumer is almost constantly sacrificed to that of the producer; and it seems to consider production, and not consumption, as the ultimate end and object of all industry and commerce.
The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.
I'm just a musician and a record producer.
I brought the music out to L.A., and the producer Tommy LaPuma heard it and he said - "Man, I love it. Let's do it. Let's record it." I said, "Okay, where's the band?" He said, "We don't have a band. We want it to sound exactly like your demo." I said, "Well, I played all the instruments on the demo." You do that when you're making demos. You got your guitar, you got your sax. He said, "Well, I want it to sound just like that, so get all your instruments out here." So I ended up playing all the instruments.
I love playing anyone that does stuff that I don't do. The fun of playing an assassin is that I've never killed anybody. The fun of playing a brilliant musician is that I don't actually play any instruments.
Consumption is the sole end and purpose of all production; and the interest of the producer ought to be attended to, only so far as it may be necessary for promoting that of the consumer.
I've always thought about myself as somewhat of a folk musician. I just write words. I don't think I'm even a musician. I don't play a lot of instruments, not really a soloist or anything.
In my experience as a record producer, the people who most get involved are the people from independent labels who feel they have more to do with it; it's their "baby" kind of thing.
The 'Daryl's House' thing has made me into a live musician even more than I ever was, and even in the way I record.
The Daryls House thing has made me into a live musician even more than I ever was, and even in the way I record.
Very often on films, even without a producer credit, I'll be involved, very early on. I want to be there as the thing is taking shape.
A producer gets the whole vision done from top to bottom, to making the record to having the record delivered to the world. That's a producer.
It happens to us quite often-it feels as though I'm not playing my instrument, something else is playing it and that same thing is playing all three of our instruments. That's what I mean when I say it's frightening sometimes. Maybe we'll all play the same phrase out of nowhere. It happens very often with us.
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