A Quote by Tony Wilson
I had the virtue of wanting to hang out with people who were more talented than me. I can't write songs, I can't perform, I can't design clubs, but I was an enthusiast. My gift was that I said yes to everybody.
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I learned so much watching my dad write songs and perform in front of thousands of people, and people were singing along to songs that I watched him write; it stuck with me.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
I used to hang out a lot in jazz clubs, and the groups took to a kid like me who wasn't afraid to get up and sing with a jazz band. Then I started to hang out in rock clubs and learned to carry off different styles.
Having room to run and having just the space to use your imagination and create stories out of everyday life, I think that had a lot to do with me wanting write. And write songs
I think being small was how I learned the game. Everyone was bigger and stronger than me, so I had to outsmart people. I had to think more deeply to compete with the kids who were more talented than I was.
For a while I was a completely unknown artist with no fan base and no draw in the clubs. The only people that would give me a shot were the gay clubs. Gay clubs were so open to me coming in and trying things out.
There were plenty of clubs wanting me but as soon as my agent Lee Robinson told me Derby were interested I had a good feeling.
The question is: exactly how did life get here? Was it by natural selection and random mutation or was it by something else? Everybody - even Richard Dawkins - sees design in biology. You see this design when you see co-ordinated parts coming together to perform a function - like in a hand. And so it's the appearance of design that everybody's trying to explain. So that if Darwin's theory doesn't explain it we're left with no other explanation than maybe it really was designed. That's essentially the design argument.
I would write 100 jokes a day. Most of them were terrible. But I just said, 'I'll write more than everybody else, and that's how I'll get better.'
I'd never consciously left home to see a zombie movie. They were fine by me, but I had no intention of ever being in one. But I've been learning more about it as I've been doing interviews. I didn't even know there were specialist zombie magazines and clubs. I heard the other day that a radio station had asked people if they`d made preparations for an attack by zombies, and a staggering number of people replied yes!
Let me tell you, it is an absolute lie that I told a probe panel that Meiyappan was only a cricket enthusiast. All I said is he had nothing to do with the team's on-field cricketing decisions. I can't even pronounce the word 'enthusiast.'
I realised that music controls me more than I control music. I had to write songs that were convincing me that things would get better.
Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.
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