A Quote by Tony Wilson

I am not a piece of hash. I'm in charge of Factory Records. I think. — © Tony Wilson
I am not a piece of hash. I'm in charge of Factory Records. I think.
There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart - It really goes. And there is a charge, a very large charge, For a word or a touch Or a bit of blood Or a piece of my hair or my clothes.
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
HASH: There is no definition for this word - nobody knows what hash is.
I laughed and pointed out that "Hash Browns Mean Nothing Without You" was a pretty good name for a band. "Or a song," the Duke said, and then she started singing all glam rock, a glove up to her face holding an imaginary mic as she rocked out an a cappella power ballad. "Oh, I deep fried for you / But now I weep 'n' cry for you / Oh, babe, this meal was made for two / And these hash browns mean nothing, oh these hash browns mean nothing, yeah these HASH BROWNS MEAN NOTHIN' without you.
There have been household gods and household saints and household fairies. I am not sure that there have yet been any factory gods or factory saints or factory fairies. I may be wrong, as I am no commericial expert, but I have not heard of them as yet.
Hash, x. There is no definition for this word - nobody knows what hash is. Famous, adj. Conspicuously miserable. Dictionary, n. A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
Now that I think about it, I was arrested in 1992. Some people may think of that as a bad thing, but I feel good about it. I chained myself to the gate of a phone book factory, a GTE factory in Los Angeles. They were using thousand-year-old trees to make phone books. I think that's a total waste of a tree.
You know, it's hard to beat bacon at anytime of day. But I also am a big fan of corned beef hash.
I've been to Manchester enough to know it's a real place. It's not Factory Records and the Smiths bicycling around. I get it. It's a modern city.
Occasionally I get fed up, going to visit a factory, when I am being shown around by the chairman, who clearly hasn't got a clue, and I try to get hold of the factory manager, but I can't because the chairman wants to make sure he's the one in all the photographs.
There are so many things to think about when you make an album. Like, who am I trying to impress? Am I going to get respect, critical acclaim? Or am I going to sell lots of records?
First, I charge a retainer; then I charge a reminder; next I charge a refresher; and then I charge a finisher.
If I'm not training then, gosh, anything: donuts... Kentucky Fried Chicken 20-piece hot wings... corned beef hash and eggs... But because I'm training, I'm eating very healthily: almond milk... Ezekiel bread... chicken... fish... I'm on a strict diet.
The godfather of rap, that is what I am known as, and the king of party records, the records I do.
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