A Quote by Tony Yayo

When you got a group like G-Unit... we sold millions of records, we got a lot of egos. — © Tony Yayo
When you got a group like G-Unit... we sold millions of records, we got a lot of egos.
If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
How lucky can one guy get? I was a runaway, and then I was in one of the biggest bands in the world. I've sold out every arena. I've sold millions and millions of records.
I know it seems like LCD Soundsystem sold millions and millions of records, but we didn't. I'm not a wealthy person.
I know someone who works in a record shop where I live and I'll go in there and he'll play me "Have you heard this single?". Singles by, er the group called The Tights, so an obscure thing... and a group called, I think, er Bauhaus, a London group. That's one single. There's no one I completely like that I can say "Well I've got all this person's records. I think he's great" or "This group's records" it's just, again, odd things.
If the individuals who make up a group have personal egos, and their identities lie in these egos, then their egoic identities will shift to the group. It might look as if they are losing their personal egos, but the ego simply shifts to the group.
I've sold a lot of records. I've sold, like, 150 million records, and I don't think I've had that many good reviews. It's one of those things that when you're really successful, critics hate you just because you're successful.
Honestly, a lot of people thought that I was on top of the world selling so many millions of records, and that this is the life that everybody would want, but I never got to enjoy any of my success.
I don't feel like I deserve to have to do a guitar pull with four brand-new artists when I've sold millions of records.
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
There's a lot about being "A Writer" that has nothing to do with writing. That's one thing I've discovered. You've got to meet with the sales force, and you've got to have all these luncheons, and be gracious, and you've got to give a lot of presentations and you've got to give a lot of speeches, and you've got to be on tour.
I've got a room full of gold and platinum records, a lot of them are Canadian, and I've got a very soft spot for that country.
My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'
Profile has half the publishing and they control and administer the publishing and distribute and own the records, so our group is a 10-point crew. But we got a lot of money off of the shows.
I don't think, like, 'I've got to sell so many records here, or so many records there.' That's the record label's job. They've got to worry about how were doing in Kazakhstan or Germany. My job is just to write and sing.
I've been there and done all that, sold millions of records, and that doesn't bring you peace.
The financial collapse of 2008 got its start with predatory mortgages, that weren’t sold by community banks and credit unions, they were sold by fly by night mortgage brokers who had almost zero federal oversight and then the big banks looked over, saw the profit potential and they wanted it bad. So they jumped in and sold millions of these terrible mortgages while the bank regulators just looked the other way.
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