A Quote by Tonya Hurley
Sometimes divulging your vulnerabilities without any kind of filter can make you more human, but then again, it can also provide material that can be used against you.
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Along with all the other stunning statistics China can provide, it can also claim to be the world leader in making energy from human excrement. Biogas, as this energy is known, can be produced from the fermentation of any organic material, from wood to vegetables to human excreta.
Listing rights generally involves enumerating things you may do without interference (the right to free speech) or may not be done to you without your permission (illegal search and seizure, loud boy-band music in public places). They are protections, not gifts of material goods. Material goods and services must be taken from others, or provided by their labor, so if you believe you have an absolute right to them, and others don't choose to provide it to you, you then have a 'right' to steal from them. But what about their far more fundamental right not to be robbed?
The Lighthouse' couldn't have been made without this kind of freedom that is allowed to some filmmakers to be able to play around with genre. Jennifer Kent's 'Nightingale' is more horrific than any horror movie - but also, I don't think you could make that movie without this kind of freedom.
Evidence of defendants' lavish lifestyles is often used to provide a motive for fraud. Jurors sometimes wonder why an executive making tens of millions of dollars would cheat to make even more. Evidence of habitual gluttony helps provide the answer.
Whether it's your own material or somebody else's material, it's essential that you identify with it thoroughly. It's like you want to archive it; you want to freeze it in time in terms of your perspective on it, then move on, because folk music is that volatile and comments not only on overall human concerns but also on the specifics.
I know nothing more enjoyable than that happy-go-lucky wandering life, in which you are perfectly free; without shackles of any kind, without care, without preoccupation, without thought even of to-morrow. You go in any direction you please, without any guide save your fancy.
The philosophies that have been inspired by scientific technique are power philosophies, and tend to regard everything non-human as mere raw material. Ends are no longer considered; only the skillfulness of the process is valued. This also is a form of madness. It is, in our day, the most dangerous form, and the one against which a sane philosophy should provide an antidote
Clearly our first task is to use the material wealth of space to solve the urgent problems we now face on Earth: to bring the poverty-stricken segments of the world up to a decent living standard, without recourse to war or punitive action against those already in material comfort; to provide for a maturing civilization the basic energy vital to its survival.
If you look at life with any honesty and intelligence, it's clear that human nature is dark, vile, selfish, and despondent. But I also see a force in human nature, namely grace, that sometimes works against our natural moral entropy.
It [moviemaking] is not really done on a yearly basis. It's about how the material, and when the material comes in. If you develop your material and the script comes in great and you can attach a director and a cast and go off and make it, then I could make, I don't know, six [movies] a year. Or I could make one. It really depends.
Sometimes, we only get to know someone as one aspect of who they are. Then you start peeling back the layers and understanding more and more about who they are - their vulnerabilities, their fears, their joys, all those other words that equal humanity.
And if you're a parent who thinks you're okay because your kid doesn't have a phone or iPod yet, and/or you've used all the parent controls to filter out explicit material, you're not okay. The filters are tissue paper and your kid without a phone is on a school bus or in a locker room or at a public park with phone-equipped kids every day. And they're like all kids in exploring - by whatever means available to them - exactly what their parents are treating as too embarrassing or taboo to talk about.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.
For me, water means a lot of things. It's my belief that human beings are just like plants. They can't live without water or they'll dry up. Human beings, without love or other nourishment, also dry up. The more water you see in my movies, the more the characters need to fill a gap in their lives, to get hydrated again.
Human beings sometimes find a kind of pleasure in nursing painful emotions, in blaming themselves without reason or even against reason.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
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