A Quote by Too Short

Gettin' It' is another song that means a lot to me because I got to work with George Clinton who's always been my musical hero. — © Too Short
Gettin' It' is another song that means a lot to me because I got to work with George Clinton who's always been my musical hero.
George Jones has been a major part of my personal and professional life for a long time. I have been inspired by his music for the last 50 years and for 42 of those, I had the pleasure of knowing him personally and professionally. He was IT to me. George was and will always be my guy. I am luckier than a lot of people on this Earth because God let me be a part of George's life and him a part of mine. And on this day, his song couldn't be more true: 'He Stopped Loving Her Today.'
But I'm not adverse to the idea of Torch Song as a musical. It would just be different. Because the play will always be there exactly as it was, and in a musical you could tell a lot of the story through songs.
If you don't got endz, you won't be gettin' no skinz, And if you don't got money, you won't scoop a honey. If you don't got cash, you won't be gettin' no ass, And if you don't got loot, you won't be knockin' no boots.
It's much easier to write a song for a musical than just writing a song because, writing for a musical, you know what the story is about, so you know what the songs have got to say.
As a songwriter, I do kind of look at 'Santa Monica' as a thing outside of itself, because it isn't just my song. This is a song a lot of people tell me is a part of their high school or college years. That means a lot to me.
We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.
I got serious about performing, and I got serious about acting. It's very funny; singing has always been a very separate thing for me - until I went to college. I just studied musical theater because I was like, 'That means I can study voice and acting in the same major, and I won't have to double major.' Now I do musicals for a living.
When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.
I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something.
I was playing with George Harrison one time, and George loves takes. This song was up to Take 160. I said, 'George, do you want me to play the same thing or 160 different things?' It drove me crazy because, in general, I'm ready to play my part.
I know that there are going to be people that don't like my music, but I think in the industry itself it is always that, 'Oh. you're from the 'X Factor.' There have been certain radio stations that will not play your song because you are from the 'X Factor,' yet they'll play another song from an artist from another TV show.
When I was a child, ladies and gentlemen, I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I ever dreamed, has come true a hundred times... I learned very early in life that "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend - without a song." So I keep singing a song. Goodnight. Thank you.
I've been happy to have been here since my first day, and I'm going to be happy to retire as a Cardinal because this organization means a lot to me and this city means a lot to me.
I don't always have to sing a song. There is something besides 'The Man That Got Away' or 'Over the Rainbow' or 'The Trolley Song.' There's a woman. There are three children. There's me! There's a lot of life going here.
I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.
In my work, you get used to criticisms. Of course you do, because there are a lot of people trying to get you down, but I always cheer up immensely if one is particularly wounding because I think well, if they attack one personally, it means they have not a single political argument left. That is why my father always taught me: never worry about anyone who attacks you personally; it means their arguments carry no weight and they know it.
This site uses cookies to ensure you get the best experience. More info...
Got it!