A Quote by Too Short
I don't know what they had against collabos. I have no idea, but I look back on it and a lot of Jive artists have really never collaborated with each other.
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Well, I was doing platinum albums back-to-back with Jive when they were the hottest hip-hop label. There was a time when Jive made a lot more money than Def Jam. They had KRS-One, Too $hort, E-40, Mystikal, UGK and Keith Murray. They had Will Smith when he was still the Fresh Prince.
I think Jive was just a shady label that they didn't want artists in the same room like, 'Hey, what you making?' Like I never worked with R. Kelly, I never worked with Q-Tip. I never worked with anybody that was on Jive. I never did a song with KRS-One.
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
I think that what started out as a European Union originally was probably a really wonderful and world-changing idea, the idea of a kind of cooperation and interdependence between countries. But the idea that individualization would work on common ground, not on conflict, not against each other, but to find how each benefitted from the other I thought was an incredibly hopeful and positive possibility.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
There was a bidding war between Epic Records and Jive - now RCA - which was bittersweet. Just having labels bid over me was really cool, but I ended up going with Jive because it felt better over there, and they have my favorite artists like Usher, Chris Brown, and Justin Timberlake.
I had no idea what to expect moving to New York. It's embarrassing to say, but I didn't even realize that people bought contemporary art... that people actually paid for it... I know that's really dumb. I was really naive. I had no idea artists made money.
What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.
A lot of people that I've had around me have been my closest friends since junior high, back when we were exchanging each other's clothes, staying at each other's houses. That was before I had anything.
Deep down inside we know that the best gifts don't come from catalogs or shopping malls. They don't come in brightly-colored packages or fancy envelopes and they're not sitting under a tree somewhere... The best gifts come from the heart. They come when we look at each other, REALLY look at each other and say 'You mean a lot to me' or 'I'm so glad you're a part of my life.' A gift like that will never go out of style or be forgotten or be returned for a different size. A gift like that can change the world.
Because of the men in charge of this system, they've created this caste system for women that gives some of the women in higher places a false sense of authority. You have women who are able to just look at other women and from the color of the clothes they are wearing and they can know how they're supposed to interact with each other. It's a really horrible thing but genius in a way to pit them against each other because once you are, there is no community anymore. There is just people trying to keep each other down.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
I've never thought it was a good idea to act back-to-back. If you are going to have any chance of replicating life, you need to live it. I also never forgot something Johnny Depp said to me, which Marlon Brando said to him, 'You only have so many faces in your pocket.' I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
For a shot, I had to look like I've slipped on wet floor and hurt my back. My director wanted me to just act it out, but I insisted on doing it with water on the floor to make it look authentic. He was against the idea, but I did it and almost broke my back.
Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.
I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?
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