A Quote by Too Short

I was in my teens when Too $hort was getting popular in the Bay Area on the local scene. So when somebody says to me, 'I grew up on Too $hort,' I say, 'I did too.' — © Too Short
I was in my teens when Too $hort was getting popular in the Bay Area on the local scene. So when somebody says to me, 'I grew up on Too $hort,' I say, 'I did too.'
My engineer on the 'Life is Too $hort' album was Al Eaton. Al Eaton had a studio called One Little Indian Studios, and he was a pretty good guitar player. He would suggest certain songs. Al was the force behind 'Life is Too $hort' and definitely the force behind songs like 'The Ghetto.'
I'm not the one to pat myself on the back or even need somebody else to give me credit, but I listen to a lot of Hip Hop now and I hear the Too $hort influence.
New Yorkers never really liked Too $hort.
When I finish contributing, I feel like I've left enough to where people are gonna say, 'They got that from Too $hort.' I'm not gonna fade away.
Hip-hop was a big part of my life growing up, especially West Coast gangster rap. The reason I was able to listen to it so freely was that my mom couldn't hear any of it, so we would be driving along just blaring Too $hort's horrible misogynistic stuff, and my mom would just turn to us and say, "This is great. I can feel the bass. It sounds so nice." And we're like, "Yeah, mom. We can feel the bass, too."
If Too $hort and Freddy B DJed your party, you were gonna get a rap show during the party.
When you're riding with your mom, and you're a kid, you'd listen to 'Dear Mama' and the radio friendly records. I used to sneak and listen to Too $hort.
Mac Dre has been around a long time. E-40's been around a long time. JT the Bigga Figga, Rappin 4-Tay. There's been a lot of guys that been around a long time, but they all grew up listening to Too $hort.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I got a naughty thrill out of listening to music that was that dirty, especially being that young and able to listen to it around my parents. Kids would come over to my house to listen to Too $hort records.
I think co-working spaces, incubators, and accelerators outside of the Bay Area do a lot to foster a local startup scene - which is really important for early founders, but I also think that exposure to the Bay Area is extremely valuable for startups.
I don't really like L.A. much anymore. It's a hideous city. The weather's nice sometimes. It's just too crowded for me and too claustrophobic and too aggressive and too scary, and too chaotic. Did I say chaotic already? I like the country. I like quiet.
Resolve says, 'I will.' The man says, 'I will climb this mountain. They told me it is too high, too far, too steep, too rocky, and too difficult. But it's my mountain. I will climb it. You will soon see me waving from the top or dead on the side from trying.'
Jive never saw any value in me as a long-term artist. Even as I was doing it they were like, 'You're not really the kind of artist that we'd spend our money on.' They never saw the value of Too $hort and E-40.
There was no person, whether they thought I was too fat, too black, too country, too ghetto, too New York, too thug or too whatever! Nobody ultimately had the say over whether or not I was going to make it.
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