A Quote by Too Short

The biggest lesson to me is that I got the music from somewhere else - the notes, the music my parents listened to, and the stuff I listened to at every age. All of that inspired the music that I made.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
Wherever you're from, you adapt to your environment. It definitely made my music a little bit more explicit. Because I really was in North Philly, I listened to State Property and stuff. Everything my dad listened to, I listened to.
Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
I didn't have musical upbringing. I never listened to music growing up, thinking "I want to make my own music". I just listened to music for pleasure.
I've listened to Dylan my entire life. My dad was a huge Bob Dylan fan, so we listened to his music, Cat Stevens, Simon & Garfunkel, and all that kind of stuff. It opened up a whole world of this music that I'm now obsessed with.
When I was acting for the first time in 'Squid Game,' I listened to a lot of music. I listened to a lot of music by Sanulrim, Yoo Jae-Ha and Kwang-seok. In particular, I listened to the song 'Reminiscence' by Sanulrim a bunch. Listening to that song assisted me emotionally.
Bristol is known for having quite a good success rate of music - Massive Attack and Portishead, that drum and bass, dance music scene. I never listened to that stuff when I was a kid, but my parents did, and my parents knew some of those people.
I've always been a fan of music. I listened to a whole lot of oldies - I never really listened to rap music that much.
My listening changed when I heard music from Stax, Atlantic, Motown because by that age I thought anything that my parents listened to must be square. So I had to find my own rock n' roll, as it were, and I found it in black soul music.
You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
I always write my novels with music (I don't listened to the music seriously.) Music seems to encourage me.
We [with my mother] listened to music when I was a kid. We listened to a little bit of Bob's [Gordon] music, but just a little, I think it was too painful for her.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public.
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