A Quote by Toomas Hendrik Ilves
Sanctions work over time. They do work, but it takes years for them to have an effect.
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One of the things about working over decades is the cumulative and the durational effect of work. That the updating process of a work happens less in changing the work than the way it's being read for a specific time.
You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless, but there's a lot of work that goes into it.
Value investing doesn't always work. The market doesn't always agree with you. Over time, value is roughly the way the market prices stocks, but over the short term, which sometimes can be as long as two or three years, there are periods when it doesn't work. And that is a very good thing. The fact that our value approach doesn't work over periods of time is precisely the reason why it continues to work over the long term.
If somebody prefers to work by means of sanctions, he is welcome to do so. But sanctions are a temporary measure. Firstly, they contradict the international law. Secondly, tell me where this policy of sanctions proved to be effective. The answer is nowhere.
'Grey Gardens' consumed my life for over two and a half years. It really takes its toll on the family. I'm not there to tuck them in, help them with homework and eat dinner with them. When I work on a show, I only have about 20 minutes a day with my family.
Men have two basic needs. Neither of them, no matter what they say, is sex. They need love and they need work. And work takes priority over love. If a woman could know only one fact about men and work, it should be that work is the most seductive mistress most men ever have.
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
Young voters are crucial. The trend over recent years has been for them to drift away. So anything that gets young voters interested in the electoral process not only has an immediate effect, but has an effect for years and years.
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.
Sanctions kept us on our toes, it made us realize that we were drifting into a situation of growing isolation so I wouldn't go as far as to say sanctions didn't play a role but if I were to put on a scale, the issues of conscience played a much greater role than the sanctions. We could have withstood sanctions for many more years. We became experts in circumventing sanctions... So sanctions played a role but it wasn't the major role.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
I used to work in TV and quit the job because I couldn't do it any more. I quite like taking my time over a film, five years is how long it takes me to work something out. And when you just do quick turnover, turnaround, I'm literally this is driving me mad, I want to find another living. I'll just have to find a creative way to tell the story.
You need the willingness to fail all the time.
You have to generate many ideas and then you have to
work very hard only to discover that they don’t work.
And you keep doing that over and over until you find one that does work.
When I realised, on 'The Straits,' that physical work in the theatre takes much longer than directing scenes, it was like a eureka moment. If you want to work physically, you have to accommodate it, and it takes a disproportionate amount of time.
Characters aren't a fling. They aren't a one-night stand. Getting to know them takes time and hard work. It takes excessive free writes and multiple experiments.
Anything you ever make that matters takes a long time. Some artists never see their work in front of an audience, so for them 15 years is a blink of an eye. I am nothing but grateful.
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