A Quote by Topher Grace
I feel bad for young actors who become huge stars too quickly, because you haven't had a chance to practice your craft a lot.
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Too many young actors are strutting about and doing films without having developed some of the depth you need to bring off certain kinds of roles. I think that's the problem with the system, where a lot of younger actors who haven't had a chance to develop suddenly become stars.
I would advice to focus on your craft. Nowadays, a lot of people come to quote-unquote Hollywood thinking that all they just have to be different or do something outlandish or have a huge personality to become a star. But I think that if you just focus on the craft, you'll have a better chance at longevity.
A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.
See, the thing that bothers me with young actors, young actors of color specifically, is that they see movies and television, and they figure that's all it is to it. They have no respect for the craft. They want to be, you know, movie stars or whatever. And I worry that we're losing a certain quality, you know?
If you get a chance to act in a room that somebody else has paid rent for, then you're given a free chance to practice your craft.
It is all about marketing; that is where the real craft comes in. The best actors do not necessarily become the biggest stars. And vice versa.
A lot of people come to quote-unquote Hollywood thinking that all they just have to be different or do something outlandish or have a huge personality to become a star. But I think that if you just focus on the craft, you'll have a better chance at longevity.
The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends.
I prefer directing to acting. There is huge freedom that comes from being behind the camera. It brings a lot of responsibilities as well, but is intensely rewarding. Particularly the chance to help draw out the best in young actors.
With commentating, I've had a chance to show the humorous side of my personality that I didn't use on the court. It's fun, and I don't take myself too seriously. I have good broadcast teams with me, but I'm not a huge stats guy. I think they post the numbers too quickly, and I'd rather let the match play out a bit first.
I haven't had a lot of experience with glamour. I've never had to mask myself, as many now not-so-young actresses have had to do. Female actors in that regard have a different lot in life than male actors.
Great actors are people who just meld into the part without calling attention to the fact that they are so-and-so doing this part. They may never become huge stars, but will always, in memory, stay respected actors.
I've heard New York actors say Chicago actors intimidate them because apparently we're the real nitty-gritty actors who're in a town where being onstage doesn't necessarily get you anything except your craft.
If you are serious, and you want to make a living as an author, then you need to hustle. Period. If you can't make that quality, then you need to concentrate on your craft and practice more. One other thing, quality comes with practice. If you are prolific, then you become a better writer because you are writing. The more you do anything the better at it you will become. So in a way, quantity does add to quality.
I have a growing resume, but it's because I'm very selective. There are a lot of actors in my position that are like me: they have an opportunity to make a lot of money early in their career, and they do that, and after that, there's nothing to sustain that. There's no art or interest in your craft from the people that want to see you.
When I realized that Reuben was a young man who really wanted to be taken seriously, because he was dismissed for being too good looking or because he had too much money - his character really came to life for me. I began to understand that, and see that a lot of people feel this way - misunderstood because of their talents or gifts or background.
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