A Quote by Topher Grace

Working on 'Lonely, I'm Not' - I love the material so much, and it's spring in New York, so I'm walking home whistling every day. — © Topher Grace
Working on 'Lonely, I'm Not' - I love the material so much, and it's spring in New York, so I'm walking home whistling every day.
It's a love-and-hate relationship with New York. Much like Hong Kong, it's expensive, crowded, the weather is not so nice. But New York is home, and I love New York.
I love New York. But how much should it cost to call New York home? Decades of out-of-control budgets, spending hikes, and relentless borrowing have made New York simply too expensive.
I'm in New York a lot. And every time I'm in New York, I'm out every night - it's a bit much. After a week, I'm ready to go home.
I love holidays in New York. I love 'em. I want to celebrate something all the time, and New York has holidays for every day of the week, practically. I like holidays in New York City.
I love holidays in New York. I love `em. I want to celebrate something all the time and New York has holidays for every day of the week, practically. I like holidays in New York City.
Walking in the street, particularly in a city like New York, every single day, I am reminded of how objectified women can be. Being catcalled every day, multiple times a day, all the time... it just constantly happens.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
You can spend an entire day walking around in New York, whereas in L.A., it always ends at some point because you have to find a way to get home.
...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.
When I'm home in New York, I box every day.
I love New York. I was in New York at the age of 13, at the School of American Ballet, walking around the subways in my little bunhead and thinking I was so cool.
I don't drink coffee I take tea my dear, I like my toast done on one side. And you can hear it in my accent when I talk, I'm an Englishman in New York. See me walking down Fifth Avenue, a walking cane here at my side. I take it everywhere I walk, I'm an Englishman in New York. I'm an alien I'm a legal alien, I'm an Englishman in New York.
To us who remain behind is left this day of memories. Every year--in the full tide of spring, at the height of the symphony of flowers and love and life--there comes a pause, and through the silence we hear the lonely pipe of death.
In New York, I have a photo of my parents on their wedding day in 1947. They're beaming at home plate in Houston's Buffalo Stadium. I love the photo because my dad is smiling. He didn't smile much in his later years.
I do everything from home. I broadcast commentaries for CBS News Radio every day - from home, on a disk that I mail in. I write a weekly op-ed piece for the 'New York Daily News,' and any books or plays or movies that I'm crazy enough to write, I do that from home.
I love the process of working on a play. I love rehearsal so much. New York can be so tough, but the community in the theater is so warm and glorious.
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