A Quote by Tori Amos

You really do kind of learn a lot about a person when you watch and listen to the songs that mean something to them. — © Tori Amos
You really do kind of learn a lot about a person when you watch and listen to the songs that mean something to them.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
Kids who are least impressive in my class are the ones who only listen to one kind of music. They only listen to country or only to rap or to gospel or anything. It's a sad thing. I try really hard to get them to go out and listen to things. It's amazing what you learn. ... I'm still trying to learn. It's not like I'm going to be a calypso singer. That's not going to happen, but I'm sure there's something in that, that I can learn from and apply to my own work.
A frustration that I've had recently is that a lot of songs that I listen to draw on scenarios that aren't very realistic, so I just wanted to do something that was more down to earth. And I think my fans, who already know a lot about me, will learn something new.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
Often, with our music, there's quite a lot going on, so people hear melodies that sound up and catchy, and production, and maybe don't really listen to what the songs are about, so it's nice to sing a song like 'The Currents' and really mean it.
There's songs you listen to at really heavy times, and you associate those songs with being depressed. 'English Rose' by The Jam, I can't listen to - it's just too heavy for me. 'Julia' by The Beatles, too. That popped up the other day, and I had to skip to the next song. They're both really awesome, moving songs, but I can't listen to them.
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
Acting doesn't have anything to do with listening to the words. We never really listen, in general conversation, to what the other person is saying. We listen to what they mean. And what they mean is often quite apart from the words. When you see a scene between two actors that goes really well you can be sure they're not listening to each other - they're feeling what the other person is trying to get at. Know what I mean?
You learn a lot about America when you own a pit bull. You learn not just who likes your dog; you learn what kind of person likes your dog - and what kind of person fears him.
Watching children grow up, you learn a lot about life and about being a better person - you learn a lot about what's really important in the world and what isn't.
Sometimes, I sit with my guitar and start playing... something or the other pops into my head... Basically, I write whatever that comes to my mind. I've written a lot of songs, but they are lying in my cupboard... I mean to do something about them someday.
There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.
Whenever we do stuff with Die Antwoord, it's kind of like... I made a lot of music before this group that I'm kind of bored of and forgot about, and everything with Die Antwoord I really love. It's the first time I've made music where, even the first songs we made, I really adore all those songs, and I'm proud of them.
I listen to a lot of music. One of my favorite songs is 'Final Song' by M. It's something that I listen to before a lot of competitions.
I'm a Syd Barrett fan, and early Pink Floyd, and then about two things from the rest of their career. I don't like them, really. I mean, I like the psychedelic stuff. I listen to the first albums, and even on those, they go off and off and off. Songs that are 20 minutes long. I don't like long songs.
When you watch people when they're relaxed, that's when you learn the most about them. That's when you really learn about who they really are.
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