A Quote by Tori Amos

For many years, I shut down that place inside myself that needed to rage, cry, ask questions and basically just express herself. I made a conscious choice when I put (the song) 'Me and a Gun' on the record not to stay a victim anymore.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
I would say I'm self-taught, but Corinne Day made me less conscious of myself. I was 15, and she'd make me take off my top, and I'd cry. After five years, you get used to it, and you're not self-conscious anymore.
I don't view myself as a victim of gun violence. I view myself as a victim of a maniac who happened to use a gun as a tool, and I view myself as a victim of the legislators at the time who left me defenseless.
We are all carrying so many things in our life and inside ourselves. Often it feels there is no place to put them down. Where do you place the questions you carry
I was a prosecutor for many years, I'm a crime victim myself, and I've tried so many cases I don't even know how many anymore.
I wrote the song "Show Me" as a prayer to God asking simple, honest questions about life and death and why there is so much suffering in the world. As I grew with the song I realized I shouldn't limit these questions solely to God; I should ask those questions of others and of myself.
Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.
My most successful song was 'Language' and I think partly because it's a nice, dancey record, but I'll see people cry in the audience to that song, and that's so much more interesting to me than making someone just jump up and down.
Mine would be Your Song, which is just one of his ones that I... I was actually glad the whole song wasn't played in this film and it's just a few bars of it because it makes me cry. You know, there are some songs that just make the hairs on the back of your neck just stand up? That's one of those for me - I put it on if I want a good cry.
All this stuff that went down, the joke-stealing accusations, me not wanting to do 'Mind of Mencia' anymore. All these things made me look inside myself.
There needs to be a place in the church or just outside - there needs to be a place where people feel free to ask questions without being put upon, where they feel free to ask difficult, challenging questions to voice their skepticism.
I went to so many record labels - name any one - and they all turned me down. For some reason I just got the thumbs down for years and years. It sounds like I'm making that up, but it's true. I'm too serious about music and my creations to take just any kind of deal. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.
The past can't hurt you anymore. Not unless you let it. They made you into a victim, Evey. They made you into a statistic. But, that's not the real you. That's not who you are inside.
I keep a lot of my problems bottled up inside me. That's why it's good, it's bad because I go through it, but it's really, what the fu*k I'm going through. That's why I ain't able to cry, I could try to make myself cry and it won't happen. But at the same time somebody could hear my song and they gonna cry for me.
I needed a song and I need a place to kind of get it out. John Paul [White] was there for me as a friend, and I really appreciated that because I just needed a place to go.
All answers are only found in the super-conscious. It takes us to a point where we don't ask questions anymore because that part of us which would ask goes away.
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