A Quote by Tori Amos
I think that other people covering my work is really exciting... Im really open to that kind of thing because I think interpretation is an art form.
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I think I'm definitely more open. You know the thing is I wouldn't have said I was closed before, but like, it's the kind of thing that you don't even think of other options. I've been dating black men for really, for like, I don't know, 10 years. You know, I haven't really dated outside of that. Now I think I'm probably am more open to the idea.
I think youve got to work out what makes you happy. With me, its that I do lots of different things. So Ive got this rather odd career whereby Im not really a stand-up and Im not really an actor and Im not really a writer. But I do them all.
I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
Im nearly 50, I dont really care what people think of me. I know Im a really good person.
The thing about art for me is that you can go on theorising your work forever, because it's open to interpretation.
For one thing, I don't think art needs to be about suffering; sometimes it really seems like it's only the art about pain that is interpreted as profound, and in my work for years I've really tried to deal with subjects that are substantial, not just fluffy, but presented in a more playful, approachable kind of way.
Art movements are always linked to some kind of turmoil. We can look at history and see that [political turmoil is] fertile ground for art. I also think that it gives artists something, a way of kind of processing. My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world. Hard times are really a fire under your ass to prioritize and think, "Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process"?
Im writing what comes into my head, or through me, or from somewhere else, and it is the most extraordinary, exciting thing. I love it, and Im very greedy, and I really enjoy it!
I'd always thought of myself as an open-minded person. I had no patience with anyone who put down other kids because of their race, religion, or sexuality. But that's just one kind of open-mindedness. There's another kind, too, the kind that's willing to see people for who they really are and admit when you were wrong about them. That's the part I still need to work on.
I became famous, I think, really because of the interpretation of other people's songs, way back when, and that's what I enjoy the most. And I'm a lazy bugger.
You feel like you want something, but you don't actually know what that is. I remember waking up the other night and really craving something, but not knowing what it is. That feeling has been prominent throughout my whole life. I think I try and fill that thing with lots of different things. I can't really stay still. I can't really not be stimulated. It's kind of a search of constant stimulation through other people, substances and stuff. I think that's what our lyrical content is about.
We've been growing our readership every month, and we're kind of like, where are they all coming from? This is wonderful! And I think one of the best surprises was that you hear so often that young women don't care about feminism, that young women don't identify as feminists. But really, the majority of our readers are young women. So to see so many young people kind of get involved and really take to Feministing.com was a really exciting thing.
My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.
I think Donald Trump's interpretation of marriage is something that he himself doesn't really believe in. 'Traditional marriage' is where two people love each other, commit to each other, care for each other over the years. It is a meaningful ceremony, and his interpretation of that is not recognizing what real marriage is.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
People think that I'm mean because I'm quiet, and I don't really go out places or because I don't really say too much. On the other hand, people think that I'm soft because I may not handle myself the way other people handle themselves. That's just not me. They don't know my background or none of that stuff.
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