A Quote by Tori Amos
I was fascinated to think about a place where men could be the mothers and I thought of my own song-writing and I decided to have a relationship with their daughters.
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When you write a song about a place, you are writing a song about a place that might be in a hundred years, or a place that has been, or that was - in your imagination. I think that also embodies the American spirit. You are looking for what you can call "a place."
Female education ... has occupied my attention so far only as the education of my own daughters ... I thought it essential to give them a solid education which might enable them, when become mothers, to educate their own daughters, and even to direct the course for sons, should their fathers be.
Fathers be good to your daughters, daughters will love like you do. Girls become lovers, who turn into mothers, so mothers be good to your daughters, too.
As daughters of our Heavenly Father, and as daughters of Eve, we are all mothers and we have always been mothers. And we each have the responsibility to love and help lead the rising generation.
Honestly, I believe that the mother-daughter relationship is magical, complex, potentially dangerous, profoundly powerful, and deeply transformative. To put it simply, all of us have this relationship, and in a very real way, "none of us comes out alive." We are all formed first as daughters and then tested as mothers. There's nothing like motherhood to make us reassess how we were as daughters.
Given Freudian assumptions about the nature of children and the biological predestination of mothers, it is unthinkable for mothers voluntarily to leave their babies in others' care, without guilt about the baby's well-being and a sense of self-deprivation. Mothers need their babies for their own mental health, and babies need their mothers for their mental health--a reciprocal and symbiotic relationship.
You have to remember that writing those sorta songs is not reality, it's more like trance, dream, y'know, like dreamwork. The mythical thing can enter the creating but there's the mythical place and the real place. And there's both...I get it between waking and sleeping. Or, when I'm doing something else. I don't sit down and think I'm gonna write about subject X or subject Y. I could be doing something and an impression comes in from outside and the song emerges out of that. It's never thought about or contrived.
Emily and I have some funny scenes where we quarrel and it gets quite heated, the mother-daughter relationship. You know, film mothers and daughters adore each other. And some don't. But how could you not love Emily Blunt? But I think I'm just one of those people who's always discontented.
I think mothers and daughters are meant to give birth to each other, over and over; that is why our challenges to each other are so fierce; that is why, when love and trust have not been too badly blemished or destroyed, the teaching and learning one from the other is so indelible and bittersweet. We daughters must risk losing the only love we instinctively feel we can't live without in order to be who we are, and I am convinced this sends a message to our mothers to break their own chains, though they may be anchored in prehistory and attached to their own great grandmothers' hearts.
And mothers and daughters - mothers need to help their daughters love their hair. And some mothers know how to do this, and some mothers help their daughters love their hair.
I think there's a tremendous amount of guilt that goes on between mothers and daughters, no matter how good or bad their relationships are. It kills girls inside when they think they're letting their mothers down.
Raising a daughter is an extremely political act in this culture. Mothers have been placed in a no-win situation with their daught ers: if they teach their daughters simply how to get along in a world that has been shaped by men and male desires, then they betray their daughters' potential But, if they do not, they leave their daughters adrift in a hostile world without survival strategies.
Daughters could survive a powerful mother, but boys found it almost impossible. Such boys were often severely damaged and spent the rest of their lives running away from their mothers, or from anybody who remotely reminded them of their mothers; either that, or they became their mothers, in a desperate, misguided act of psychological self defence.
Everyone has their own experiences with song. It means one thing to me and it means something entirely different to somebody else. I have a song called 'Apple Cherry' which is a song about unrequited love and to this couple in London, they fell in love to this song. The girl in the relationship called me and said she wanted to propose to her girlfriend could you sing 'Apple Cherry' while I do it? I was like 'Really? That's not a love song about getting together'.
I love exploring the relationship between fathers and daughters. I think that's a special thing, especially with daughters who are dealing with being adults. That's fascinating to me. I've had a lot of very interesting parenting techniques that I've employed with my own daughter that have worked really well, so far.
In fact I wonder if I should bend my own rules a little and for the sake of writing a good song it doesn't have to been so autobiographical, but that's a stupid rule to live by as some of my favourite artists' songs, they have a song that you think is about their life [which] probably even isn't, but it's a great song.
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