A Quote by Tori Amos

I don't see music as working. — © Tori Amos
I don't see music as working.

Quote Topics

What we call music in our everyday language is only a miniature, which our intelligence has grasped from that music or harmony of the whole universe which is working behind everything, and which is the source and origin of nature. It is because of this that the wise of all ages have considered music to be a sacred art. For in music the seer can see the picture of the whole universe; and the wise can interpret the secret and nature of the working of the whole universe in the realm of music.
Sometimes I start with music on and then I get distracted because I'm working to a different rhythm; I'm not working to myself. So, I don't have music on when I'm working.
It's weird with making music - you can have no vibe while you're working on something and recognize that the music was special afterwards. And it happens to me while I am working on my own music, as well! One minute you hate it, and then a few years you're obsessed with a little beat you did, and the opposite.
When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
I've been working with music videos and commercials, they are naturally very music driven and visual driven. So that feels like my natural element to be working with that.
I had my baby around 20 and I was always working on music, but I was always working on music, but I was doing other stuff as well.
I feel like I can see the music and can see how the character of the music actually flows. For me, that's music to my eyes.
I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.
It started so early, it all runs together. But what made a huge impact on me was when I went to Europe at 15 or 16 years old. All I knew before that was music on the radio and TV. When I went over there I realized there are all different levels of music. There are people who do blues, jazz, classical, working in film, TV and all kinds of places. You might not see them on MTV but there are lots of needs and uses and opportunities for all kinds of music.
Writing and working with producers is like dating - it sounds strange to say that, but you have to test people out. You have to be like: 1) I like your music. 2) I like you, you're a good person. 3) Let's hang out and see if we can work together. And that is where music comes from.
I've been working, working, working, and you know, sometimes you look back at your work and you see that it just isn't any good.
If I suddenly disappear from the music world, you might see Hikaru Utada working as a helper at some inn in Atami.
I very much enjoy working with talented filmmakers who have a good sense for music, who have a strong feel for music and for what music can do in a film.
I'd love to do an action film. I'd love to do a film based on a book series; I love to read the book and then go see the movie. I'd love to have a show on Disney; I love working for them. And I'm also working on getting some new music out of my own.
Working on script development, casting, editing, and music is incredibly inspiring to me, and it's wonderful to see something you love come to life.
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