A Quote by Tori Amos

I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company. — © Tori Amos
I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company.
I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company. I would really just love to collaborate on that.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
You dance love, and you dance joy, and you dance dreams. And I know if I can make you smile by jumping over a couple of couches or running through a rainstorm, then I'll be very glad to be a song and dance man.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
It is sweet to dance to violins When love and life are fair: To dance to flutes, to dance to lutes Is delicate and rare: But it is not sweet with nimble feet To dance upon the air!
Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!
Now I am going to reveal to you something which is very pure, a totally white thought. It is always in my heart; it blooms at each of my steps... The Dance is love, it is only love, it alone, and that is enough... I, then, it is amorously that I dance: to poems, to music but now I would like to no longer dance to anything but the rhythm of my soul.
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
If there were a ritual dance of the androgyne, Tai chi as performed by this master could be that dance. It is neither a masculine dance nor a feminine dance. It has the strength and grace of both.
When I was 16, my friends and I were all starting to think about what we were going to do with our lives, and I started picturing myself majoring in dance at college traveling around with a contemporary dance company, and it didn't excite me as I thought it would all those years. I was just thinking about the things that I loved most about dance, which was entertaining and telling a story, and that's when I kind of opened my eyes again to acting.
Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
It's one of my strongest dance pieces - having just done Play Without Words which was veering away from a lot of dance - I thought it would be nice to go back to something with almost the most dance I'd done.
I am passionate about dance, I grew up in dance, I was a young kid competing in dance, so I have a great perspective on it.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
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