A Quote by Tori Kelly
The first time I worked out I almost threw up. I did not feel good at all. My friend said, 'You have to get past the first month, you're going to feel so much better.' And she was right: After about 30 or 40 days, I saw changes.
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The first time I ever saw Arnold Palmer, I said, There's a star. The first time I saw Jack Nicklaus, I said, Superstar. I feel the same way about Tiger Woods.
Almost instantly [after my announcement of Parkinson's], I saw the first couple of days the coverage was about, you know, "Fox's Parkinson's, blah, blah, blah." Then, two days after that, I saw the coverage turn. It started to become, "Can young people get Parkinson's?" All of a sudden, the conversation turned to become about that. And that was one of the first eye-opening things.
You don’t get better on the days when you feel like going. You get better on the days when you don’t want to go, but you go anyway. If you can overcome the negative energy coming from your tired body or unmotivated mind, you will grow and become better. It won’t be the best workout you have, you won’t accomplish as much as what you usually do when you actually feel good, but that doesn’t matter. Growth is a long term game, and the crappy days are more important.
First you date the songs, and then you get engaged and then you marry them. They have to stand the test of time, because they are going to be yours for the next 20, 30, 40 years. So you had better choose right.
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.
I think it's kind of awkward when everyone knows you're gay but you don't say it. I had been thinking about coming out for almost a year before I did. I thought about it seriously on the plane ride home from the World Cup, while I was casually talking to my friend Lori Lindsey. She said, "Dude, you should just come out." She was right. Everyone in my life already knew. If you want to stand up and fight for equal rights but then won't even stand up for yourself and say "I'm gay" - that just started to feel weird.
At first, the idea of doing a 90-minute workout in a 40 degree room sounded like torture. But the sweating is exactly what I became addicted to. My body changed dramatically almost immediately. Within three classes, I noticed less belly fat. My knees and legs are stronger than ever now; my arms have definition for the first time in my life; and my posture is much, much better. I also feel completely energized from all of the deep breathing. I leave class relieved of any anxiety I went in with, and the sweating and detoxifying make my skin feel great.
My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
So, most of it was done over the phone. But one of the first things I did as a director, because it's one of the first things you should do, even though most don't, is to ask good actors who they think is right for the part. They know better than anybody. But without missing a beat Maggie said Pauline Collins. I didn't know Pauline because I hadn't seen Shirley Valentine, but then I saw this thing that she did with Woody Allen [You Will Meet A Tall Dark Stranger], in which she was wonderful as a psychic, and I said to her on the phone: "The dialogue seemed improvised."
The first time I worked with Usher, I learned that I belonged in the room. You know the first time you get invited into a room you have never been in and you almost feel like you lied your way in? The second time, you don't feel like you lied your way in.
The first time I saw my wife, Marjorie, I was doing stand-up in Memphis, and she was sitting in the front row. Afterward, I walked up and said, 'Ma'am, I'm going to marry you one day.' And 15 years later, I did.
The first time I saw my wife, Marjorie, I was doing stand-up in Memphis, and she was sitting in the front row. Afterward, I walked up and said, "Ma'am, I'm going to marry you one day". And 15 years later, I did.
First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'
When I did the first 'Matrix,' after it came out, I had a woman come up to me and just thank me for Trinity because she was an action writer. She said she was getting really good opportunities now.
I saw my rock'n'roll past flash before my eyes. And I saw something else: I saw rock and roll future and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.
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