A Quote by Tori Kelly

Nineties hip-hop was a big influence for me; it still is. I love '90s everything. And it's when I was born, too. I'm a '90s kid for sure. — © Tori Kelly
Nineties hip-hop was a big influence for me; it still is. I love '90s everything. And it's when I was born, too. I'm a '90s kid for sure.
You know, my era of DJing was the 90s. I think that was one of the best eras of music, period. From dancehall to hip hop to rock to pop to R&B to everything. I just like that era of music, so I just listen to a lot of 90s overall but definitely 90s hip hop.
I'm born and raised in Dusseldorf, and my parents emigrated to Germany sometime in the '70s, so I grew up completely different from any other German. I found my love in hip-hop music. Hip-hop was delivering everything that I needed: the message, the lifestyle - everything. I fell in love with it and I'm still hip-hop.
I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.
I grew up in the '90s. My goal isn't to be a '90s rapper, but I have little hints of '90s influence in my music. It's a modern approach to classic rap.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
I'm a '90s kid, so I went into the entire album process wanting to incorporate little touches of that sound from hip-hop and R&B. Just enough to where you hear it subtly and then go, 'This kind of reminds me of that time.'
Bounce is a primarily call-and-response style of hip-hop over a 'Trigger Man' beat. It's a New Orleans-created hip-hop style that developed in the late '80s, early '90s.
We listen to the early '90s Hip-Hop that we were raised on. I still think that stuff is better than anything you hear nowadays.
I grew up listening to Tupac, Biggie and other hip hop artists in the 90s. To this day, their music is still some of my favorite.
I never wanted to do rap-rock because it had been done loads in the '90s, but I love hip-hop and I love metal.
I love Bruce Springsteen's writing, but I grew up on '90s hip hop, like Tribe Called Quest.
My main inspirations come from early '90s Trance, the French electro movement round '06, then a bunch of artists like Flying Lotus, J Dilla, Moby, The Prodigy. So I'd say it's some kind of experimental electronica with a strong hip hop influence. It's chilled, but people can still get super crazy and dance to it.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
One of the things that's really the cornerstone of '90s hip-hop is sampling.
From a very young age, as a teenager, I was into hip-hop and skateboarding and all those things that were akin to a kid in the '90s. All those things are what resulted in clothes.
My era was '90s Carhartt-and-Timberlands hip-hop. That's my rock n' roll.
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