A Quote by Tori Spelling

My whole life story is kind of a backhanded compliment. — © Tori Spelling
My whole life story is kind of a backhanded compliment.
"Dark Fantasy" was my long, backhanded apology. You know how people give a backhanded compliment? It was a backhanded apology. It was like, all these raps, all these sonic acrobatics. I was like: "Let me show you guys what I can do, and please accept me back. You want to have me on your shelves."
I find it to be the ultimate backhanded compliment when you are compared against yourself.
As far as most improved, I don't take it as a backhanded compliment at all. That's what you're supposed to do as a professional.
She'd tell me how she'd handle the backhanded compliment by smiling and pretending she was receiving a genuine compliment all the while ignoring their attempt to be insulting. After all, it's the way an insult is received that makes it an insult. You can't really give offense unless someone takes it.
I think the biggest backhanded criticism-compliment I get is that I'm 'good at communicating.' Which implies that you're bad at doing.
The movies I've made, I'm really proud of them. But the experience I've had is, people say to me, 'Oh my God, I saw your movie on HBO. It was actually funny.' Like, that's always the experience. It's a backhanded compliment.
Growing up, people would always say, 'You have such a pretty face.' It's kind of backhanded. That's the kind of things we have to stomach.
When I was heavy, people would say to me - and it was such a backhanded compliment - they would say, 'You've got such a beautiful face,' in the way of, like, 'Oh, isn't it a shame that from the neck down you're questionable.'
I will tell you that when I was heavy, people would say to me - and it was such a backhanded compliment - they would say, 'You've got such a beautiful face,' in the way of, like, 'Oh, isn't it a shame that from the neck down you're questionable.'
Could you imagine me and the roasters taking on the GOP field? It would be the greatest show ever. Prove that you can take a joke. Prove that you're a man or woman of the people. Prove that you're not above criticism even in the form of a backhanded compliment.
Who doesn't love a compliment? But every compliment comes with a warning: Beware—Do Not Overuse. Go ahead, sniff your compliment. Take a little sip. But don't chew, don't swallow. If you do, you risk abandoning the good work that inspired the compliment in the first place. If that happens, maybe it was the compliment and not the job well done that you were aiming for all along.
The way that I work as an actress, I always prefer to read the whole story and tell the whole story and feel what the whole story's going to be, the journey for the audience and how it ebbs and flows, the highs and the lows.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
The present rearranges the past. We never tell the story whole because a life isn't a story; it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.
A story is a kind of biopsy of human life. A story is both local, specific, small, and deep, in a kind of penetrating, layered, and revealing way.
To wear something like that your whole life is the largest compliment someone can pay to you as an artist.
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