A Quote by Tori Spelling

I've had the two procedures that probably every other woman in Hollywood has had done. — © Tori Spelling
I've had the two procedures that probably every other woman in Hollywood has had done.
Every woman has had the guy she's broken up with park across the street and stare at her door. Every guy has had someone call at two in the morning and hang up. Or you've been the person who has done those things.
But many, many stories were told; from what could be gathered, all fifty of the mine's inhabitants had reacted on each other, two by two, as in combinatorial analysis, that is to say, everyone with all the others, and especially every man with all the women, old maids or married, and every woman with all the men. All I had to do was to select two names at random, better if different sex, and ask a third person, "What happened with those two?" and lo and behold, a splendid story was unfolded for me, since everyone knew the story of everyone else.
I had grand visions of being in professional sports. But when reality set in, I went, 'Oh, OK. I'll just move to Hollywood and be an actor.' I didn't want to look back on my life and wonder, 'What if I had done this? Or I had done that?'
I was in the wilderness of Hollywood for almost ten years. I was off the studio lists. I wasn't getting the roles offered to actors that hadn't done a third of the roles I had done or had the popularity I had.
From the very beginning the president [of USA] had two very important principles that had to be reconciled. One principle is that every woman should have the right to all forms of preventive health care, including contraception. The other is that we need to respect the religious liberties which are the cornerstone of American life.
I had an amazing experience doing 'Skins.' It was the first acting I'd ever done in my entire life, so I had to learn on set for those two years. I had to keep my head screwed on and learn from the other cast.
I have had a couple of marriages, but like every other woman I had a perfect right to them.
I moved to Hollywood when I was 22. I was married. I had a kid right away. And I had worked as a furniture mover amongst various other jobs, and I'd work eight, ten hours a day to support my family - and I'd come home and write for two hours a night or two and a half, or three hours a night.
[On Hollywood:] I had gone there expecting to see parties that reflected the stock-in-trade of the movies - glamour. Instead, I found the same attitude toward parties that European peasants had for baths. It was something to be done methodically every Saturday night.
All of women's stories in the 19th century had either one of two endings: you either had the good Jane Austen marriage at the end and you were happy; or you had the terrible Henry James savage downfall because of your own hubris as a woman, or you've made some great error leading you down a path to ruin. One is the story of love that's successful and the other is the story usually of reckless love that goes terribly wrong that destroys the woman.
Once, I discovered the skulls of two impala rams, their horns locked into an irreversible figure-of-eight; the two animals had been trapped in combat, latched to each other during the battle of the rut. The harder they had pulled to escape from each other, the more intractably stuck they were, until they had fallen exhausted, to their knees, in an embrace of hatred that had killed them both.
In Paris every man must have had a love affair. What woman wants something that no other woman ever wanted.
In 2012, I had a son born with very severe congenital heart defect that was life-threatening and required him to go through a series of open-heart surgeries, as young as two days old, and subsequent other procedures.
When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you. . . . Then when you are badly wounded the first time you lose that illusion and you know it can happen to you. After being severely wounded two weeks before my nineteenth birthday I had a bad time until I figured out that nothing could happen to me that had not happened to all men before me. Whatever I had to do men had always done. If they had done it then I could do it too and the best thing was not to worry about it.
I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.
The things I could have done had Hollywood been more open? I don't dwell on coulda-woulda-shoulda. Because, hey, I've had a great career.
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