A Quote by Torii Hunter

I'm like the Shaolin monk, the counselor in the clubhouse. — © Torii Hunter
I'm like the Shaolin monk, the counselor in the clubhouse.
I'm not going to say what was being used in the clubhouse; whatever happens in the clubhouse stays in the clubhouse. But it was not like it was in your face.
I'm not going to say what was being used in the clubhouse; whatever happens in the clubhouse stays in the clubhouse. But it was not like it was in your face
I don't want to be in the clubhouse, if I have the coronavirus or something like that, coming into the clubhouse and spread to everybody, that's not good, right?
Exchanging blows generously, which is not uncommon in some other martial arts, is unthinkable in Shaolin philosophy, because a Shaolin disciple always assumes that an opponent is competent and able to inflict damage with just one blow.
[Thelonious] Monk is a subject in itself. I mean, most piano players in most big bands sit down and they play with the band, you know. But Monk would just sit there like this. And all of a sudden there'd be a pause from all the trumpets and everything and Monk would go 'plink!' like that. And everybody would go 'Yeah!
I play a Monk song, it's like you get possessed. And then you have to break that spell. You have to remind yourself that you are an individual, or that you aren't Thelonious Monk.
Becoming a monk was a hard decision. Leaving being a monk was harder, but it's given me so much faith in my ability to transition, and that what I learned as a monk can still serve me.
In my efforts to better my stamina and career, I find myself becoming more monk-like. And I'm not talking about the 'holy, praying, create awesome Trappist beer'-type monk. I'm talking about the 'go to bed early, no drinking, no talking, and no having any fun'-type monk.
The life of an artist is like the life of a monk, a lewd monk if you like, very Rabelaisian. It is an ordination.
Communication is different in the clubhouse than it is in a boardroom. The heartbeat that exists in the clubhouse, you don't find that same type of heartbeat in the front office.
Sometimes I felt I got caught up kind of going into the clubhouse non-chalantly sometimes, because all of the other guys in the clubhouse didn't go there with one goal in mind.
At first I didn't understand what [Thelonious Monk] was doing, but I went back again, and what I can say about Monk is that I heard ancient Africa in his music. When he played, it was like a ballet. He captured the sound of the universe. Monk could take a triad, a simple chord, and make it sound dissonant. I'm sure that element he had in his piano was part of the two years he spent traveling with his mother in gospel music in the tent shows.
I am surrounded by counselors. My sister is a counselor. My daughter is training to be a counselor. A lot of my friends are counselors.
Ed Welch says that all counseling is a variation on a single theme: knowing and praying for the counselee. Of all the questions the counselor might ask, then, the central guiding question in the counselor's mind is, "How can I pray for you?
The first jazz pianist I heard was Thelonious Monk. My father was listening to an album of his called 'Monk's Dream' almost every day from the time I was born.
Monk was a gentle person, gentle and beautiful, but he was strong as an ox. And if I had ever said something about punching Monk out in front of his face - and I never did - then somebody should have just come and got me and taken me to the madhouse, because Monk could have just picked my little ass up and thrown me through a wall.
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